Yeah, the relic bashing is ridiculous...you don't like it? Don't buy it!
I'm happy to talk about how I modded mine

I have a set of mods I've worked out over a long period of experimenting. I spent a lot of time and money trying out different components. I've played a bunch of real 60's vintage Jazz Basses and found the same qualities in the ones I liked: They were all very lightweight and had a resonant quality to the wood that makes notes jump off the fingerboard. It's definitely an acoustic thing that gives the tone a unique quality. The trouble is I could never afford one of these rare beasts AND they have two inherent problems I can't deal with - 1. They have single coil pickups. This is part of the deal with a Jazz of course, but I play mostly in clubs and the electricity is always dodgy, so the hum drives me nuts (I always favor one or other of the pickups so they don't cancel out). 2. Because these vintage basses are so light they usually have pretty bad neck dive due to the heavy tuners that were used. That's a total deal breaker for me, I want to concentrate on the music and not on holding up the neck and having it strangle me with my own shirt. So it makes no sense at all to drop major coin on a vintage Jazz and then swap out the pickups and hardware. That's why the Roadworns are the perfect platform for me.
I essentially buy them for the wood, which is REALLY similar to the vintage instruments. Then I put Dimarzio Model J or Area J pickups in them. The Area J sounds very close to single coil tone to me but is dead silent. The Model J is not really vintage sounding, but the adjustable pole pieces are brilliant at dealing with uneven tone from string to string, something that can happen with very light basses. Both my current RW Jazzes have these and and they sound incredible. Then I put Gotoh Res-o-Lite tuners on them, which are direct replacements for the stock tuners...no drilling or mods at all, and they totally fix the neck dive and make the bass balance perfectly. I do a few other mods before the bass is fully "Sparkified" but the tuners and pickups are the biggies and they make these basses fantastic working instruments.
So I get the vintage feel of the wood that I want in a bass I don't need a second mortgage to buy and don't worry about taking to a skanky bar for a blues gig. What's not to love about that? As far as how it LOOKS I happen to dig it, but that's way down the priority list for me, and I have yet to have a bandleader hire me (or not) based on what finish was on my bass. They seem to be a little more concerned with whether I have the chops and feel for the gig