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Since the OP asked (thanks) - I was playing a Guild Starfire II with Thomastik-Infeld Jazz flatwounds through a Markbass CMD121P with the amp tone controls set mostly flat, with no effects used. The pre-amp DI signal to the board is what is heard on the recording, with whatever the sound engineer may have done to it.Just listened to a few songs from your gig, and this time with good headphones. You guys (and you w/ one rehearsal and a song list of 30 tunes) did a great job, and your tone is flipping great!! Any info about your bass and strings would be cool.
Since the OP asked (thanks) - I was playing a Guild Starfire II with Thomastik-Infeld Jazz flatwounds through a Markbass CMD121P with the amp tone controls set mostly flat, with no effects used. The pre-amp DI signal to the board is what is heard on the recording, with whatever the sound engineer may have done to it.
Back to the topic at hand, the freewheelin' Bob Dylan!
Nearly impossible to pick a high point from Blonde on Blonde, but this is one of my favorites, and doesn't seem to get mentioned often.
I even like the bum notes on the bass, they kinda snap you back to attention.