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It did sound different though. More “bark” to it than my Century. Not as polite. But again, yes, it doesn’t really add anything to the table otherwise. That’s the “problem” with having a Century 5 or any Roscoe 5. They can do just about anything. Makes it hard to justify other basses.Nice bass but does it really do anything that your Century doesn’t already do?
It did sound different though. More “bark” to it than my Century. Not as polite. But again, yes, it doesn’t really add anything to the table otherwise. That’s the “problem” with having a Century 5 or any Roscoe 5. They can do just about anything. Makes it hard to justify other basses.
28 years ago I had one fretted Roscoe LG-3005 and a Warmoth fretless that I put together. And I was as happy as could be. Somewhere along the way (2002) I joined Talk Bass and I felt like I had to have several basses. I was either in the build queue or looking for a bass to trade for. I think I must have lost my mind for about 15 years or so because somehow during that time because I owned over 30 different Roscoes during that period (and that’s not counting the MTDs, Zons, Smiths, Skjolds, Elricks, Alembic and Pedullas).
I think it’s just in the DNA of bass players to like to try different basses (and own multiple basses).
Maybe without the influence of social media more of us would be one or two bass owners but the fact is we are constantly tempted by having access to new and beautiful basses via our computers and IPHONES.
So with all that said, I’m totally content for now but @SteveC I totally get what you’re going through. Most all of us have been there.
I’m in the twilight years now of my playing and I can honestly say if I had it to do over I’d not change a thing.
One wife, and hundreds of basses and amps!![]()
One wife, and hundreds of basses and amps!![]()
I get this position as well. I could buy that bass without hardship. I’m just trying to be a little more practical these days. I played my Century 5 for a while today and was again reminded how awesome it is. I have been on a downsize trend lately. My board is a Nano+ with a Stomp and Tube DI. Synth patches allow me to leave my big synth at home. The “Eb” standard tuning preset (and a 5 string I suppose) means I don’t need another bass in Eb. I bring my Classic P for a backup, but don’t usually put it on stage. Sometimes I do and I may start a set with it and swap when I need/want to.Why is there so much good energy wasted on guilt from buying things you really enjoy and love or that you just want to check it out. If you make the money and manage it wisely so that you can buy those items, then whose business is it that you do?
That’s why I always take the position to encourage the purchase, as opposed to question the “why” or the “need” of it.
After all, isn’t that why you do all the things you do to go to work to make the money?
That is a really nice bass...On second thought, my LG5 I have for sake would give you more bark! Haha
Thanks. It is sweet. Scott ( prior owner) had strung it with TI Flats , which I like. Tempted to put see what she sounds like with round rounds though!That is a really nice bass...
Played my Classic P for a while last night. It sounds so good. Different obviously than the Century 5. Finger style for older stuff, R&B, etc. Use a pick and it kills the late 90's early 00's rock stuff. Just can't decide what I like more. I can use the P (with occasional D tuning and the Eb preset on my Stomp) for all but 3 songs where I really like/want to use the 5. Maybe I just start using both for gigs instead of trying to pick.
Sounds like a great idea. A P bass with flats sounds so good but some songs just need the sound of round wound strings.
Since you play through an amp with your band you shouldn’t have any issues pulling of switching basses.