• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Roscoe Club

This is the one I had with an Audere. Sweet Roscoe. I see it is in the classifieds again.

roscoe.JPG
roscoe2.JPG
 
I guess that I got a bad taste in my mouth of the Audre preamp back in the day when Roscoe offered them as a standard option (took the place of the Demeter). I owned 3 different ones and while 1 sounded OK the other two were extremely bland sounding. I believe that the main problem was that Roscoe decided to lock down the variable EQ pots typically located inside the control cavity (coated with silicon sealant) after they were set to the Roscoe spec). Gard had stated that they (Roscoe) felt that leaving them operable would lead to owners tweaking the settings, choosing BAD setting and it would reflect in a negative manner to Roscoe (as well as tying up support trying get the preamp's re-configured to where the bass sounded good again).
At any rate, I ended up pulling out all of mine and replacing them.
I suspect what Audre is selling now (and maybe the standard pre-s that they sold then) probably sound much better. I assume that they must since some of you guys are installing them and love them.
 
Last edited:
I guess that I got a bad taste in my mouth of the Audre preamp back in the day when Roscoe offered them as a standard option (took the place of the Demeter). I owned 3 different ones and while 1 sound OK the other two were extremely bland sounding. I believe that the main problem was the Roscoe decided to lock down the variable EQ pots typically located inside the control cavity (coated with silicon sealant) after they were set to the Roscoe spec). Gard had stated that they (Roscoe) felt that leaving them operable would lead to owners tweaking the settings, choosing BAD setting and it reflecting in a negative manner to Roscoe (as well as tying up support trying get the preamp's re-configured to where the bass sounded good again).
At any rate, I ended up pulling out all of mine and replacing them.
I suspect what Audre is selling now (and maybe the standard pre-s that they sold then) probably sound much better. I assume that they must since some of you guys are installing them and love them.
That’s kind of a tough spot to be in for Roscoe, but if it was me I’d probably have gone with another preamp instead of limiting the Audere. But I’m just a guy sipping on whiskey at the kitchen table, not a business owner ;)
 
But I’m just a guy sipping on whiskey at the kitchen table

Roscoe basses and good whiskey?!! We'd get along nicely.

Cheers!


Whiskey Bass.jpg



Ignore my project bass. She's not worthy of this thread. But everyone needs one bass that they aren't afraid to take apart, do some surgery, add/remove some stuff, and put back together again.
 
I guess that I got a bad taste in my mouth of the Audre preamp back in the day when Roscoe offered them as a standard option (took the place of the Demeter). I owned 3 different ones and while 1 sounded OK the other two were extremely bland sounding. I believe that the main problem was the Roscoe decided to lock down the variable EQ pots typically located inside the control cavity (coated with silicon sealant) after they were set to the Roscoe spec). Gard had stated that they (Roscoe) felt that leaving them operable would lead to owners tweaking the settings, choosing BAD setting and it reflecting in a negative manner to Roscoe (as well as tying up support trying get the preamp's re-configured to where the bass sounded good again).
At any rate, I ended up pulling out all of mine and replacing them.
I suspect what Audre is selling now (and maybe the standard pre-s that they sold then) probably sound much better. I assume that they must since some of you guys are installing them and love them.
The only Roscoe I owned that I didn’t like the sound of was an SKB3006 with Nordstrand DC’s and the Audere preamp (beautiful bass, thuya burl top, wenge fretboard, etc). That one I didn’t keep long.

Funny, though, is that years later, I put Audere 4 band preamps in a pair of American Deluxe Jazz Basses, and loved them. That particular combo just didn’t work in that Roscoe, for me anyway.
 
The only Roscoe I owned that I didn’t like the sound of was an SKB3006 with Nordstrand DC’s and the Audere preamp (beautiful bass, thuya burl top, wenge fretboard, etc). That one I didn’t keep long.

Funny, though, is that years later, I put Audere 4 band preamps in a pair of American Deluxe Jazz Basses, and loved them. That particular combo just didn’t work in that Roscoe, for me anyway.

I remember that bass Ryan. Beautiful bass!
But yeah, I think that the Audre (or at least that model pre) just didn't work well with the Roscoe. And the problem might also have been linked to combining it with the the Nord DC p/u's (as most of them were back in those days).
 
  • Like
Reactions: staccatogrowl
Last edited:
So, I was talking with Mr. Keith Roscoe the other day, and then he sent me some photos of some particular wood types in his stock. . You know, the kind of wood one might like if they were to have a bass crafted by Roscoe Guitars. .

So, is a new Roscoe in the works?:)

If so, you know the rules ........we need all the details!
 
  • Like
Reactions: staccatogrowl
Elder.jpg
887468_1053970754655920_3795288641512496182_o.jpg
887468_1053970754655920_3795288641512496182_o.jpg
So, is a new Roscoe in the works?:)

If so, you know the rules ........we need all the details!
I've got one in the works: Century Signature 5, Exhibition Box Elder Burl Front and Back, Wenge Shim, Black Limba Body, Wenge Wedge Neck, Pink Ivory Fingerboard, Bart Soaps, Bart OBP3 Pre with Active/Passive, Ivory Nut, Abalone 12th fret, Black Hardware.
887468_1053970754655920_3795288641512496182_o.jpg
 
Last edited:
I've got one in the works: Century Signature 5, Exhibition Box Elder Burl Front and Back, Wenge Shim, Black Limba Body, Wenge Wedge Neck, Pink Ivory Fingerboard, Soaps, Aggie Pre with Active/Passive, Black Hardware.View attachment 3376183

Man! That's going to be a really nice one! You'll love the Wenge wedge neck. What p/u's are you going with? I never really bonded with the Aggie pre/Bart p/u combo. The Aggie with the Nords were a good match. Never heard the Aggie pre/Aggie p/u combo. I suspect that would work nice.
That one will be a looker for sure though. Box Elder top with the wenge shim should really look nice transitioning from the top to the Black Korina body. Can't wait to see finished pics.
 
  • Like
Reactions: staccatogrowl
I guess that I got a bad taste in my mouth of the Audre preamp back in the day when Roscoe offered them as a standard option (took the place of the Demeter). I owned 3 different ones and while 1 sounded OK the other two were extremely bland sounding. I believe that the main problem was that Roscoe decided to lock down the variable EQ pots typically located inside the control cavity (coated with silicon sealant) after they were set to the Roscoe spec). Gard had stated that they (Roscoe) felt that leaving them operable would lead to owners tweaking the settings, choosing BAD setting and it would reflect in a negative manner to Roscoe (as well as tying up support trying get the preamp's re-configured to where the bass sounded good again).
At any rate, I ended up pulling out all of mine and replacing them.
I suspect what Audre is selling now (and maybe the standard pre-s that they sold then) probably sound much better. I assume that they must since some of you guys are installing them and love them.

I avoided these preamps based on your recommendation. However, I recently ran across a few great reviews of the Audere Pro-Z preamp and decided to purchase one to put in my premium Ibanez BTB with Aguilar DCB pickups. (I got the 3-band model with a 3-way mid frequency switch and z-switch.) It gave this bass new life. The preamp has a very natural, musical sound to it. I have a hard time putting this bass down now.
 
  • Like
Reactions: JOME77
Man! That's going to be a really nice one! You'll love the Wenge wedge neck. What p/u's are you going with? I never really bonded with the Aggie pre/Bart p/u combo. The Aggie with the Nords were a good match. Never heard the Aggie pre/Aggie p/u combo. I suspect that would work nice.
That one will be a looker for sure though. Box Elder top with the wenge shim should really look nice transitioning from the top to the Black Korina body. Can't wait to see finished pics.
I misspoke, it is a Bart pre.
 
Man! That's going to be a really nice one! You'll love the Wenge wedge neck. What p/u's are you going with? I never really bonded with the Aggie pre/Bart p/u combo. The Aggie with the Nords were a good match. Never heard the Aggie pre/Aggie p/u combo. I suspect that would work nice.
That one will be a looker for sure though. Box Elder top with the wenge shim should really look nice transitioning from the top to the Black Korina body. Can't wait to see finished pics.

FWIW: I LOVE LOVE LOVE the Aggie Pre/Pickups combination. My SKB Standard is set up this way, and it's by far my favorite combination of any bass I've owned (and I've owne a few). :cool:
 
View attachment 3376256 View attachment 3376183 View attachment 3376183
I've got one in the works: Century Signature 5, Exhibition Box Elder Burl Front and Back, Wenge Shim, Black Limba Body, Wenge Wedge Neck, Pink Ivory Fingerboard, Bart Soaps, Bart OBP3 Pre with Active/Passive, Ivory Nut, Abalone 12th fret, Black Hardware.View attachment 3376183

That will be a really nice bass. Wenge is probably my favorite neck and fretboard and Boxwood burl is a beautiful top. The Aguilar Combo is my favorite in the Roscoe basses I've owned although I haven't really owned a nice Bart Combo. Can't wait to see the finished product.