Back in the early 80's RS 66 was my default string choice. Jaco, Entwistle and all. Put away the BG for 25 years to focus on DB. Upon reuniting with the BG I was strictly a flats player. For some reason in the last few months I decided to give rounds a try again. Fender and Ernie Ball were on hand so I tried Slinkies, 7250s and 7350s. All nice strings. No qualms at all. Today I bought a set of (stainless steel) RS 66s. Here's my signal chain:
Squier alder body with MIM 50's Fender Precision neck. Seymour Duncan SPB-3 Quarter Pounder.
Streamliner 900 through a fEARful 12/6.
First thing that I noticed was that even though the Fender and EB strings were the same gauge the Roto Sounds put less tension on the neck. I had to loosen the truss rod and raise the D string saddle. The next thing I noticed was with the SL 900 controls all set at noon I was hearing a (dare I say it) warm tone. None of the aggression that others have reported. The feel was also very nice. None of the flesh ripping that I have read about.
I'm quite happy with these and am looking forward to seeing how they mature.
Squier alder body with MIM 50's Fender Precision neck. Seymour Duncan SPB-3 Quarter Pounder.
Streamliner 900 through a fEARful 12/6.
First thing that I noticed was that even though the Fender and EB strings were the same gauge the Roto Sounds put less tension on the neck. I had to loosen the truss rod and raise the D string saddle. The next thing I noticed was with the SL 900 controls all set at noon I was hearing a (dare I say it) warm tone. None of the aggression that others have reported. The feel was also very nice. None of the flesh ripping that I have read about.
I'm quite happy with these and am looking forward to seeing how they mature.