I recently started using roundwound strings again, since my band is doing Thank You by Sly and the Family Stone. I had been happy with flats, particularly LaBella Low Tension flats. I've always felt that Roto 66's have a very punchy character, so I started using Roto 66LC's, .040-95. As I remembered, they're great, and lasted longer than I expected. I decided to try the 55's, since they're supposed to be pressurewound and smoother.
Last night, at a gig, my G and D strings were pretty out of tune when I pulled my bass out - no surprise, tuners can get knocked around in a gig bag, so I tuned up, and off we went. No sound check, we went on right after the Padres/Dodgers game. During the second song, the D string sounded bad, so I checked it, and it was down to C. Tuned up again. Next song, I could hear the D drifting southward. Tuned again, and it mostly held, although it drifted a little bit again by the end of the set. This was on my 1990 (or so) Jazz Bass Plus, which I've had for maybe a year with no issues. Strings have been on for at least a month.
I have two conclusions: First, obviously, I need to carry spare strings, which I didn't have. Secondly, I don't think I'm going to pay the extra $20 usd that these strings cost over the 66's. I didn't really have any trouble with the 66's, and there's not a significant difference in finger noise for me, anyway. Tonight I have another gig, and the Pro Steels that I have in the queue are going on, and the 55's will be the spares. After this, I'll probably go back to the 66LC's whenever the Pro Steels wear out.
Last night, at a gig, my G and D strings were pretty out of tune when I pulled my bass out - no surprise, tuners can get knocked around in a gig bag, so I tuned up, and off we went. No sound check, we went on right after the Padres/Dodgers game. During the second song, the D string sounded bad, so I checked it, and it was down to C. Tuned up again. Next song, I could hear the D drifting southward. Tuned again, and it mostly held, although it drifted a little bit again by the end of the set. This was on my 1990 (or so) Jazz Bass Plus, which I've had for maybe a year with no issues. Strings have been on for at least a month.
I have two conclusions: First, obviously, I need to carry spare strings, which I didn't have. Secondly, I don't think I'm going to pay the extra $20 usd that these strings cost over the 66's. I didn't really have any trouble with the 66's, and there's not a significant difference in finger noise for me, anyway. Tonight I have another gig, and the Pro Steels that I have in the queue are going on, and the 55's will be the spares. After this, I'll probably go back to the 66LC's whenever the Pro Steels wear out.