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Rozitis Custom 6 Fretless Build

My custom 6 build starts today! I'm having it built by a local luthier/player/technician, Steve Rozitis (www.calgaryguitarrepair.com), so I was able to get it at a great price ($4200 Cdn. all in) and an equally great turnaround of aprox. 3 months. Steve has been doing repairs on guitars I own, and I could tell from our 1st meet that guitars/music is just a part of him and I know that I'll have a dream bass at the end of the process. Here's what's "on paper"
- 35" scale
- 7 piece flame maple/mahogany neck (NT) with 3 graphite reinforcing bars, 2 trussrods
- poly coated bird's eye maple fretboard
- alder body/quilted maple top/bottom
- Hipshot "A" style bridge (all hardware gold plated)
- Gotoh GB 720 tuners
- Nordstrand Humbucker pups neck and bridge positions
- Audere 18v preamp 4 band eq
- switching for active/passive. single/duo coils for each pup, series/parallel wiring between pups

Pics will be added as the build progresses. So far all I have is the top/bottom quilted maple. Here it is, the pics really don't do it justice:

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Man that's some gorgeous maple. I've always preferred "curly" maple 'cause it looks like flames more-so than "flamed" maple (which maybe looks like a series of single flames shooting straight out of a blowtorch, definitely not the warm curly licks of flame from a campfire in a cow-pasture in Kananaskis).
So, "Go (Curly) Flames!"

Also, in regards to your other thread about neck laminates. I've heard said that multiple laminates can contribute to a stronger stiffer neck that is less likely to warp. :thumbsup:

You'll need a custom SwampDonkey tubey bass amp to go with this build, but first you'll have to convince Chris to build a bass model SwampDonkey. ;)
 
And the headstock style?
I was going to go with Warwick style (like my 6 fretted) with the tuning pegs angled but after posting the Alembic for devo
-stevo decided that that is a better style for the body shape (I guess you'd figure the people at Alembic would get it right). Steve agreed and tells me he's got his own headstock design that's very similar that I might want to consider. Here's the Wick stock:
 

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All the pieces of the neck have been milled, sawn, and sanded. I wanted to model the neck on my Warwick Thumb NT 6:

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I decided that the bubinga/wenge was too heavy, so decided to go with the flame maple/mahogany layers. Steve finished the mahogany layers today. He used the most lightweight mahogany that he had. Like the maple, it has been stored uncut here in Calgary for at least 4 years for maximum stability:

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Here is the 4 mahogany, 3 flame maple layered neck (clamped not glued) along with the bird's eye maple fretboard:

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My man Steve was pretty busy yesterday; 1st off the lamination and sizing of the neck. Here's the 7 boards glued before clamping:

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Clamped:

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Glued:

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Thicknesses planed to final dimensions:

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Voila! Check out the tight glue joints!

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He then got a start on gluing the quilted maple top on the alder body. 1st piece of alder being cut and planed:

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Finally, the piece of quilted maple being glued and clamped to the top:

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