Festivals have big PAs to accommodate large audiences. Without a semi and huge road crew, your rig might be overkill. How loud does your band play, anyway?
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Indeed, possibly overkill. But, it's not so much the volume I'm going for, more importantly a massive tone. Most of my playing on this gig is very simple, so it's about expansive low end for me. Kinda like a Reggae bass situation, but Rock band. Plus, I just kinda "fell in" to having access to this gear, and wanna have some fun with it. Will probably also be running a set of Moog Tairus III pedals soon, so there's that.Festivals have big PAs to accommodate large audiences. Without a semi and huge road crew, your rig might be overkill. How loud doe your band play, anyway?
I like this.I'd try something that Derek Smalls would undoubtedly approve of. Run two with the Ric-O-Sound. Tune the remaining basses chromatically, so that all notes have a chance to feedback, and run them all into the third. You'll need a junction box to allow multiple inputs, but that's easy enough. Make sure the sympathetic basses are set with similar volume and tone. Do something phenomenal.
'78, all original. My #1.Just noticed the Rick!
I'm trying a new, fun and crazy thing with gear right now, and hope that some of you may have some insight to the possibilities and technical requirements for running three SVT's and matching cabs together.
With this signal routing, I would certainly recommend verifying proper polarity, especially as chorus is switched in and out. I would be surprised if all the outputs were in phase.the way I've chained amps together last summer was like this:
bass=> tuner
tuner out1 => amp1
tuner out2 => chorus pedal
chorus wet out => amp2
chorus dry out => amp3
It worked great for me last year. I wasn't using SVT's, but 3 amps of different manufacurers, and it worked great.
Good luck!
...if you have a roadie!I'm a lucky bastard