I don’t know if this has been discussed on TB, but it has been a huge controversy on the internet.
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Giacomo Turra was busted by that English guy who is always talking about BEHS! Turra was stealing music from obscure videos, recorded it at slow tempos and then editing and miming the parts so he looked like a virtuoso.As usual Scott says “let me give you the thirty second summary” and then rambles FOREVER to get there. It’s probably an interesting story but I ain’t prepared to listen to his waffle to find out.
).Lighten up. It’s an hour podcast… and actually a really good one. Long-form podcasts are designed for in-depth discussion.As usual Scott says “let me give you the thirty second summary” and then rambles FOREVER to get there. It’s probably an interesting story but I ain’t prepared to listen to his waffle to find out.
And selling them as his ownGiacomo Turra was busted by that English guy who is always talking about BEHS! Turra was stealing music obscure videos, recorded it at slow tempos and then editing and miming the parts so he looked like a virtuoso.
The last band I was in, back in the Eighties, we played Chaka Khan that started with a really fast synthesizer line. The keyboardist could not play it, so played it at a comfortable rate and recorded on the synth’s sequencer and then speed it up to the desired speed. He played other keyboard parts while that intro was automated. It did bother me because the song sounded good live.I watched it earlier. Never in my life have I considered doing this. Even slowing down a song, recording and speeding it back up - nope.
Some ppl need a lot of attention and have no shame.
I don’t know if this has been discussed on TB, but it has been a huge controversy on the internet.
Honestly, that's not even in the same league as what Giacomo is doing. I don't really have a problem with a live band playing covers doing some things to make the tune better for the audience, in your case the keyboard player using a sequencer. At least your keyboard player wasn't trying to take credit for the song as if it was their own.The last band I was in, back in the Eighties, we played Chaka Khan that started with a really fast synthesizer line. The keyboardist could not play it, so played it at a comfortable rate and recorded on the synth’s sequencer and then speed it up to the desired speed. He played other keyboard parts while that intro was automated. It did bother me because the song sounded good live.
I think they are all enjoying the added clicks they are getting!
The sad thing is that G was too lazy to play catchup with his woodshedding, if he even tried. His quick success revealed him.
That particular video isn’t a podcast episode…just a video from SBL.Lighten up. It’s an hour podcast… and actually a really good one. Long-form podcasts are designed for in-depth discussion.
I know, I mentioned it because reproducing stuff live accurately might require some slight of hand.Honestly, that's not even in the same league as what Giacomo is doing. I don't really have a problem with a live band playing covers doing some things to make the tune better for the audience, in your case the keyboard player using a sequencer. At least your keyboard player wasn't trying to take credit for the song as if it was their own.