No. I tried the dropped copper short scale Stingray in the music store (mine's white). It's not brown or purple, but it's a dark colour. Nothing like the photo above.Is that dropped copper?
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No. I tried the dropped copper short scale Stingray in the music store (mine's white). It's not brown or purple, but it's a dark colour. Nothing like the photo above.Is that dropped copper?
Is that dropped copper?
did not anticipate a photo filterNo. I tried the dropped copper short scale Stingray in the music store (mine's white). It's not brown or purple, but it's a dark colour. Nothing like the photo above.
I use the long scale 40-100 Hi-Beams on my short scale and they are a good all around gauge for me for finger, pick and occasional slapping. My usual custom long scale set is a 35-95 but they are too light for the Ray. I tried a 45-105 and they were too heavy for my taste and they didn't sustain as well as the 40-100 does. The long scale strings fit, you just have to bend them 90 degrees cut them off beyond the bend and they will work just fine.I'm not a slapper, but from what I've read, these two would be worth trying.
Dunlop Super Bright Stainless Steel Electric Bass Strings Short Scale Set - 4-String 45-105 DBSBS45105S
DR Hi-Beam Stainless Steel Electric Bass Strings Short Scale Set - 4-String 45-105 Medium SMR-45
Hey, got an Olympic White SBMM Stingray arriving later in the week. Always fancied trying a Stingray, and am considering moving over to short scale, for the lighter weight / shorter finger stretch. On my last brief foray into trying shorties, I tried both a Squier VM Jaguar and a Squier VM Mustang. As a P player, I like the simplicity of a single pickup, so never warmed to the P/J setup of the Jaguar, and I disliked the lack of body contour on the Mustang. Otherwise, they were both light and a lot of fun to play on my lap, but as soon as I stood up with them strapped on, neither felt that comfy to stand with. I hope the Stingray is better in this regard.
I feel like I'll have to make the switch to short scale at some point, for the sake of my back, shoulders & hands. I hope this isn't a failed experiment as I really want the short Ray to work for me. I'm halfway through the thread so making notes on string recommendations, etc. It seems you can dial down the zing a little by changing out the stock EB Regular Slinkies for the likes of D'Addario EXLs or GHS Boomers. Planning on staying with nickel rounds for now.
I've seen a few posts on pickguards & I guess there will be more to come once I've read the whole thread, but one thing I haven't seen much of so far is examples of non stock pickguards against the Olympic white body. I must admit I'm not crazy about the white on white look, even with the rosewood board, I feel I'd like a bit more contrast. I've never liked white plates, so like the thought of something like black pearl against the white body. I'll have a look and see if anyone in the UK sells replacement guards for these basses. If not it looks like I'll have to pay for shipping across the pond. Has anyone here had a replacement guard sent to the UK, and if so, where from? Also interested in hard case recommendations, so will note down any I see as I go through the topic, and welcome any ideas on this. Thanks in advance for any input.
I also have the white and thought that I would be swapping it out when it arrived but I haven’t. Like others said it’s high quality and looks sharp. The rosewood also darkens over time and creates the sort of tuxedo look.Hey, got an Olympic White SBMM Stingray arriving later in the week. Always fancied trying a Stingray, and am considering moving over to short scale, for the lighter weight / shorter finger stretch. On my last brief foray into trying shorties, I tried both a Squier VM Jaguar and a Squier VM Mustang. As a P player, I like the simplicity of a single pickup, so never warmed to the P/J setup of the Jaguar, and I disliked the lack of body contour on the Mustang. Otherwise, they were both light and a lot of fun to play on my lap, but as soon as I stood up with them strapped on, neither felt that comfy to stand with. I hope the Stingray is better in this regard.
I feel like I'll have to make the switch to short scale at some point, for the sake of my back, shoulders & hands. I hope this isn't a failed experiment as I really want the short Ray to work for me. I'm halfway through the thread so making notes on string recommendations, etc. It seems you can dial down the zing a little by changing out the stock EB Regular Slinkies for the likes of D'Addario EXLs or GHS Boomers. Planning on staying with nickel rounds for now.
I've seen a few posts on pickguards & I guess there will be more to come once I've read the whole thread, but one thing I haven't seen much of so far is examples of non stock pickguards against the Olympic white body. I must admit I'm not crazy about the white on white look, even with the rosewood board, I feel I'd like a bit more contrast. I've never liked white plates, so like the thought of something like black pearl against the white body. I'll have a look and see if anyone in the UK sells replacement guards for these basses. If not it looks like I'll have to pay for shipping across the pond. Has anyone here had a replacement guard sent to the UK, and if so, where from? Also interested in hard case recommendations, so will note down any I see as I go through the topic, and welcome any ideas on this. Thanks in advance for any input.
Welcome to the crew!Hey, got an Olympic White SBMM Stingray arriving later in the week. Always fancied trying a Stingray, and am considering moving over to short scale, for the lighter weight / shorter finger stretch. On my last brief foray into trying shorties, I tried both a Squier VM Jaguar and a Squier VM Mustang. As a P player, I like the simplicity of a single pickup, so never warmed to the P/J setup of the Jaguar, and I disliked the lack of body contour on the Mustang. Otherwise, they were both light and a lot of fun to play on my lap, but as soon as I stood up with them strapped on, neither felt that comfy to stand with. I hope the Stingray is better in this regard.
I feel like I'll have to make the switch to short scale at some point, for the sake of my back, shoulders & hands. I hope this isn't a failed experiment as I really want the short Ray to work for me. I'm halfway through the thread so making notes on string recommendations, etc. It seems you can dial down the zing a little by changing out the stock EB Regular Slinkies for the likes of D'Addario EXLs or GHS Boomers. Planning on staying with nickel rounds for now.
I've seen a few posts on pickguards & I guess there will be more to come once I've read the whole thread, but one thing I haven't seen much of so far is examples of non stock pickguards against the Olympic white body. I must admit I'm not crazy about the white on white look, even with the rosewood board, I feel I'd like a bit more contrast. I've never liked white plates, so like the thought of something like black pearl against the white body. I'll have a look and see if anyone in the UK sells replacement guards for these basses. If not it looks like I'll have to pay for shipping across the pond. Has anyone here had a replacement guard sent to the UK, and if so, where from? Also interested in hard case recommendations, so will note down any I see as I go through the topic, and welcome any ideas on this. Thanks in advance for any input.
That was my understanding too. Before I purchased mine (used) I was in the music store. Their computer displays how many instruments are available anywhere in the world. There were less than 5 in white when we looked that day (about a month ago), so there are no more new ones to be had in white.Speaking of the Olympic white, seems like that color is discontinued in some capacity? Listings just say sold out on most sites now with no restock dates. Bummer as I was looking to pick up a second one haha.
I also have the white and thought that I would be swapping it out when it arrived but I haven’t. Like others said it’s high quality and looks sharp. The rosewood also darkens over time and creates the sort of tuxedo look.
I may still get a custom PG but I can’t for the life of me decide on one.
have also ordered the Gator GC-ELEC-XL case after seeing numerous pics on here of it looking like a perfect fit.
Thanks for all the replies. I should get my Stingray tomorrow, and have also ordered the Gator GC-ELEC-XL case after seeing numerous pics on here of it looking like a perfect fit.
I'm still deciding about strings. I'm not certain what strings are on it now, but seller is including 2 packs of new EB Super Slinky (pink pack) 40-100s, so I guess I may as well try them. Am I right in thinking the stock strings are EB Regular Slinky (green pack) 45-105s? IIRC, my research into short scales last time I tried a couple, taught me that going to a heavier gauge than stock improves string tension and sorts out any floppiness, especially with the E string. Does that sound right? Probably a generalisation, but I'd like to know if this rings true for the short ray. I don't plan on doing any slapping, or needing to bend the strings all that much, or anything like that. With this in mind, I was thinking of trying D'Addario XL nickel rounds (orange pack) EXL160S, in 50-105.
I don't want mega zing but like a fairly bright sound. I'd consider GHS Pressurewounds, I read in here that they are a reasonable round / flat compromise and easy on fingers / fretboard, but they are a pretty light gauge, at 40-96, which I'm not sure is too light, as per my previous comments?
I'm liking the Olympic White & Daphne Blue neck swap in here. Has anybody put a rosewood neck onto the Black Stingray I wonder, that would be a stealth bass, but still with non-matching headstock obviously.
I am more of a maple board man really. But it's not that often these come up for sale in the UK, so I just grabbed the first one that came up that looked in great condition and with a reasonable weight (sub 8lbs). But I do think that the dark rosewood board looks great on this. Compared with the horrible 'dry cardboard' of Indian Laurel & Pau Ferro, they look outstanding. I haven't had a rosewood board for some time. Am I right in thinking to Lemon Oil it before I change the strings next? Very excited to receive my Ray tomorrow!
I've been VERY VERY happy with GHS Balanced Nickels on mine. I play lots of classic to hard rock, plenty of bright, sound great tone down too, not too wooly.
I'd suggest checking out the GHS short scale balanced nickel strings, or a balanced short scale set from Stringjoy. Both have been really nice strings, with the Stringjoys being slightly brighter.I don't want mega zing but like a fairly bright sound. I'd consider GHS Pressurewounds, I read in here that they are a reasonable round / flat compromise and easy on fingers / fretboard, but they are a pretty light gauge, at 40-96, which I'm not sure is too light, as per my previous comments?
As someone who swapped necks to get a rosewood and Daphne bass, I agree that neck swaps on these can really improve choices. I also liked how the maple and white bass looks. Black with rosewood would be super cool.I'm liking the Olympic White & Daphne Blue neck swap in here. Has anybody put a rosewood neck onto the Black Stingray I wonder, that would be a stealth bass, but still with non-matching headstock obviously.
I am more of a maple board man really. But it's not that often these come up for sale in the UK, so I just grabbed the first one that came up that looked in great condition and with a reasonable weight (sub 8lbs). But I do think that the dark rosewood board looks great on this. Compared with the horrible 'dry cardboard' of Indian Laurel & Pau Ferro, they look outstanding. I haven't had a rosewood board for some time. Am I right in thinking to Lemon Oil it before I change the strings next? Very excited to receive my Ray tomorrow!
I bought the Fender short scale bass bag. It was only $40 and has nice padding. It does not have a big pocket if that’s what you want though. Plus the Fender logo keeps thieves away.Just to add my 2 cents:
I thought I wouldn’t like the white in white but as I prefer rosewood I had no real choice. I was going to swap the pick guard but I actually really like it now.
Just ordered the GHS balanced Nickel strings. Once here I’ll do a full set up. It came pretty well setup but it can be improved.
Any gig bag recommendations?
