Awesome! To be honest, I'm glad you haven't tried the dip switches before your reviews. I also saw your poston another forum about this bass.

Because if they were set as seen on the photo, you'll like the bass even more when set to your liking and that setting isn't what you'd like best as I understand.

By the way, I don't own this bass yet. I like research lol Found one with a nice wood grain today. I'm getting it tomorrow. The last one with distributor guarantee in the city. Phew! If it was all passive I wouldn't care but all the electronics inside carry more risk of failure. I'm really hoping I won't be needing anything else unless it is broken or stolen or whatever.
-Got a 2xhumbucker Schecter, which sounds waaay too dark for most stuff but that's what it is. I was a complete noob when I bought it.
-A beginner Epi. One of those called Toby, which has a surprizingly comfy neck and it could handle bridge cable roto flats juust barely. lol
That one had 2xJs originally but I got crazy and removed the terrible pickups and put a SD SPB-4 which is the best passive P for my liking. This one is a beater. Cheap body, great pickup; smash it noone cares.
-I do NOT like Jazz basses. Not the shape, not the sound; except fretless Js and I highly respect who can play those well.
So, this baby makes a lot of sense. Lovely bridge to remove strings easily without metal fatiguing them(I won't be using thru body holes) and just like you I'll be using the bridge pick just a tiny bit blended sometimes.
Looking at the frequency response of the treble control when you set the switches in different ways, it looks like by default it is set in a pretty sensible manner, so I see why it's set that way. There's one position that brings the frequency lower, but does not touch the higher frequencies... that could be interesting but I like passive tone controls as they remove all treble beyond X so it's a nice way to remove string noise when you want a very smooth sound... so I won't know if I like it enough until I try it. Been too busy yesterday and today doesn't look much better... Perhaps at the weekend, and then band practice next week.
If you found one of these *in person* that you like, then that's the best possible way to go about it. I don't like buying online because who knows what you'll get, and if you try 10 supposedly similar basses, there will be one or two that will leave you cold, and one that will feel better than the rest etc... Go get it before someone else does!

I really think this bass is a very special instrument.
I like how the pickup positions are not like most P or PJ basses, which certainly contributes to its more unique sound, allowing it to be more present in the mix more easily with good definition... but it can still sound close enough to a more traditional P if you like.
Electronics... It's true, the more complex they are, the more likely they are to fail at some point. However... it's not like it's complex in any way either. They are pretty simple preamps, and built by a pretty reputable maker... Of course, now mine will fail tomorrow as that's what happens when you say these things

but failure is rare.
However, it does make me a little nervous that with active pickups there's no bypass switch possible. I mean, I can bypass the preamp, but the pickups themselves have their little preamps too which I can't bypass.
Still... has anyone heard about them dying suddenly? It is a possibility, but a very low one.
If I play an important gig I always have a backup bass. If it's a 'fun' gig, I'll sing bass lines on a microphone instead "de dum dum dadadadummm"
My only criticism is... it's not my Stingray.
Well, not a criticism. What I mean is... I'm attached to the Stingray in such way that I cannot imagine ever switching to something else for good. So anything else is going to be additional. My main band will be recording our 3rd album later in the year... and it will be the Stingray again. But live I do use others sometimes... Precision or PJ. For rehearsals I use everything

Yes, I'm afflicted with GAS (not as bad as some others here though) and I have more basses than I really need...
It seems such a shame to not use the Model T more... however it's getting used more and more. Other basses sound good but I always find them a bit of a compromise in something. The Model T is the only one that I can get the right sounds (I don't say the same sound, I say the *right* sounds) of, easily, apart from my Stingray.
I'm actually considering another side project that would be a bit more funk/rock (got a drummer and sax player on board already), and anything I do on that vein is being done on the Model T...
Most people buy a bass to fit a band... I think I may be forming a band so that I can use a bass more

!!!
(I never claimed to be reasonable)
I realise that I make it sound as if the Model T is good but not good enough... nothing of that sort. It's only that I'm truly at home with the Stingray and it has been my main bass for years, so I'm unlikely to drop it and use the new one instead for everything. I love the Model T. I enjoy it more than any of the other basses I own.
So go buy it and tell us alll about it!!!
