I played thru the little Schro as well.
It had some issues in the tweet dept. I suspect the L-Pad myself.
We'll see.
It still put out enough to remind you that it's a serious cab.
As for the big ol' review that Burk posted.
I didn't get the chance to really talk to Burk about it, but his A/B with his LDS cabs wasn't fair IMO.
A 210 & 212 vs. a 212? Thats where I fall off in the review.
Now, your 212 alone vs. the Schro , yeah. But toss a 210 in there and it becomes apples to Volkswagons IMO.
Also, to be fair, you would really need to step back from the Schroeder to let it open up a bit. In that 12x12 room of yours, your sitting on top of the cab. And your LDS rig, well, the 210 is smacking you in the face, and the 212 is kicking you in the knees.
The Schro is also kicking you in the knees.
See what I'm getting at here?!?!
If not, an SVT810 is 4 Ohms, lets compare that to either the Schroeder or your rig!!
In my little studio when I have my AGTri112 on top of the AGTri115, I can hear the 112 better.
When I A/B'd the two cabs with the 112 still on top of the 115, the 112 sounded a bit louder.
Put them on the floor and step back, pretty much the same volume IMO. Tone, well thats another thread.
Your rig as a point of reference for tone (that your accoustomed to) I can see. But with the limited gigging that your new rig has seen, and the only gigging with the Schro was done by someone else (you checked it out only at your place).
Also, unless the SPL of your whole rig was in the low 90's then yeah, your rig would pretty much do to the Schro what that big ass Acoustic cab did to...well..everything!!! (that thing was good sounding with the 5's and tweet BTW)
What I percieve as your "fatigue" may in fact what would be the turning point on the gig with the Schroeder.
I find that almost everytime a cab sounds less than ideal in a shop, it will mostly sound good on the gig.
Case in point, my AccuGroove Tri112. By itself, alone in the cold dark underpinnings of an all bass store. Being looked upon like an unwelcome Pagen dinner guest at a Barmitzfa.....oops!! Sorry!
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Anyway, sitting there by itself it didn't kill you with the typical gobs of low end, heavy dip @ 1K for a scooped tone. Say like an Epifani or the like. It was very responsive and projected a lot of over-all even-ness across the frequency range. Great, but not "Oh My God, Instant Marcus" type of tone.
And thus far, it sounds stinkin great with a band.
But this is about the Schroeder.
My experience with them has been stellar on the gig. Not a thing that would fatigue you at all.
Burk, when Matt was playing it, did you get that feeling??
I'm sorry Steve, I don't mean to sound like a jerk. But as you noticed, I was a bit short on words today at LDS and wanted to run some of these things by you.