Just wanted to do a quick post on my weekend with the 21012L. Both rooms I played (in St. Louis) were pretty bad acoustically (boomy) and the bands were quite loud. I used the 21012L with a TF550 and a Sadowsky NYC RV5.
With the TF set pretty much flat (Timbre flat, enhance off and just a touch of bass) and the EQ on the Sadowsky pretty much flat (maybe a little bass boost for slap tunes, and a roll-back of the VTC for other tunes), this rig sounded great... punchy, articulate, and never broke a sweat (no PA support and the drummers playing about as loud as an un-mic'd drummer can play).
The best part.... my Saturday gig was in an old ballroom (a quite famous old place that was a top venue in the big band era... kind of cool to play in that space even though the acoustics were dog). I parked a long block away, and there were seven steps up to the loading dock. That 21012L with the TF on top in the TF 'light road case' and the Sadowsky on my back was a dream to schlep.... very easy for me to carry up those stairs and to roll that distance (I have castors on the cab), and still knock down a wall on the gig.
There's nothing better than a single, large, LIGHT, loud, punchy cab if you are freelancing and have to put out the wump sometimes

With the TF set pretty much flat (Timbre flat, enhance off and just a touch of bass) and the EQ on the Sadowsky pretty much flat (maybe a little bass boost for slap tunes, and a roll-back of the VTC for other tunes), this rig sounded great... punchy, articulate, and never broke a sweat (no PA support and the drummers playing about as loud as an un-mic'd drummer can play).
The best part.... my Saturday gig was in an old ballroom (a quite famous old place that was a top venue in the big band era... kind of cool to play in that space even though the acoustics were dog). I parked a long block away, and there were seven steps up to the loading dock. That 21012L with the TF on top in the TF 'light road case' and the Sadowsky on my back was a dream to schlep.... very easy for me to carry up those stairs and to roll that distance (I have castors on the cab), and still knock down a wall on the gig.
There's nothing better than a single, large, LIGHT, loud, punchy cab if you are freelancing and have to put out the wump sometimes
