John Entwistle always looked like he was bored to me. Good thing Pete, Roger and Keith were keeping the audience engaged.
since the OP is playing Ska, and addressing stage presence was explicitly requesting of him:
-Know the material well enough to not mess it up when moving around
-let your physical movement be impelled by the music, form the inside out (if that makes any sense)
-eye contact with other band members/audience -visibly play your parts "at" them
-head bopping and/or full-body bobbing to the beat
-dance! if you can learn to skank while playing that would be pretty f'in cool.
-emphasize big breaks/changes with some kind of physical motion.
-lose your self consciousness-let others worry about "faking it"
+1 to this. It takes a little bit of over the top for it to read form 30 feet away. Save subtlety for the studio.
I think of it as communicating/projecting the music with more than just my bass.
It's all about the music, but that doesn't stop with simply executing the part accurately:
You can project the feel of the song with every part of your being, out to the entire audience, if you can get your ego/self conciousness out of the way.
since the OP is playing Ska, and addressing stage presence was explicitly requesting of him:
-Know the material well enough to not mess it up when moving around
-let your physical movement be impelled by the music, form the inside out (if that makes any sense)
-eye contact with other band members/audience -visibly play your parts "at" them
-head bopping and/or full-body bobbing to the beat
-dance! if you can learn to skank while playing that would be pretty f'in cool.
-emphasize big breaks/changes with some kind of physical motion.
-lose your self consciousness-let others worry about "faking it"
I've also learned that whatever it is that I decide to do, it's necessary to do it to the point that it feels a little overdone in order for an audience to get it.
+1 to this. It takes a little bit of over the top for it to read form 30 feet away. Save subtlety for the studio.
I think of it as communicating/projecting the music with more than just my bass.
It's all about the music, but that doesn't stop with simply executing the part accurately:
You can project the feel of the song with every part of your being, out to the entire audience, if you can get your ego/self conciousness out of the way.