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Seismic Audio

Hmm... A quick google doesn't turn up any bass monitors. And, in my opinion, a stage monitor should be able reproduce any instrument in the mix.
It depends. A cheap stage monitor may work just fine for someone as long as he doesn't expect too much from it. It doesn't mean that it is "junk", necessarily. It may reproduce audio at a high enough level and with enough clarity to make vocals heard on stage at a small gig just fine. If that is all you need it would be silly to spend big bucks on an extreme monitor that can blow your hair back at 50Hz.

IMO, a lot of gear that gets branded as "junk" gets that reputation because folks think that they have found a VW that can run with the Ferraris. They take it out on the track and it blows up. That doesn't mean that it couldn't get you to and from the store just fine.
 
I recently bought a pair of the Seismic 15" passive coaxial wedges for $398/pair delivered. The features are interesting: small footprint, internal crossover or active switch for true bi-amp capabilities.

I figured that for pretty cheap money, I'd at least be able to use them for rehearsal vocal wedges or perhaps for some gigs...fairly low expectations. When I got them, the first thing I did was check to see how loud they would get, and if the low end could hold up for bass guitar. I used my GK1001RBII (a lot of power) into a single wedge in bi-amp mode. The wedge did surprisingly well, but I reserved final judgement until using them this past weekend on a gig which was relatively low-key, but still, 2 guitars, bass, drums, in a very lively brick and glass room, for about 175 people. I was surprised to find that a single 15" coaxial passed the test, and in fact, a couple of people complimented the sound. Btw, the drummer is not prone to playing soft, so the wedge was cranked just about to the limits of its capabilities. The tone of the wedge was decent...not great, but not awful. 2 of these wedges for the same gig probably could have overpowered the rest of the band.

I've been burned by Seismic in the past, getting boxes that just couldn't keep up, or with blown/defective speakers. True, you cannot expect many Seismic products to be very good. Every so often, though, you get lucky and stumble across a product that works reasonably well for low $$$. I'd have no problem using these 15" coaxial wedges in a number of situations. They get pretty loud. The sound quality is mezza-mezz...but for some situations, that's all you need. It's the low end of pro-sumer grade gear.
 
If you got a prepaid label, you should be fine. Just watch your credit card for the refund. Use the tracking number to verify they received it and you should be okay.

Some companies are superb at customer service like LL bean and Zappos, while some just drop the ball.

When I make a purchase, I prepare for the worst, and when a good experience occurs, then I have a nice pleasant surprise for me rather than a disappointment if I had expected the best.
 
Well, to their credit, Seismic issued a full refund--no shipping charges. Still a painful experience...

So, what to try next? Carvin PM10A? Not many issues on the Carvin forums. Harmony Central is generally anti-Carvin. Sure, I'd "like" to drop $600-700 on QSC/RCF/whatever but I just can't.
 
THIS guy.
Rockville RSM15A 15" 1400-Watt 2-Way Powered/Active Stage Floor Monitor Speaker | eBay
I ran one in a bigger system I sold off with the system. Used it as drum monitor with bass
guitar as well. Performed well above expectations (LOUD and punchy) Class AB power- couldn't
blow the 2" horn w transients. Even has adjustable compression and EQ. XLR/ TRS inputs- all the goods. Carpet covered doesn't get scuffed up. Don't like rat fur? recover it- who's gonna see it
next to the drummer. I'd use it for a bass or KB monitor in a second and sounds great with
program material. Built to last and definitely worth the money- which I DO NOT invest unwisely.
Eat yer Wheaties when you go to pick it up but like my sig says...
 
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I've got a pair of their (Seismic) passive 15's that I use on my practice PA at home and a powered 12" wedge I use with the band and live gigging and I've never had a problem with any of them.
The 15's are light which is nice but I don't see them standing up to the rigors of constant gigging and being beat up like road gear inevitably gets.
The 12 just gets guitar and vocals thru it (no bass) but even so, it gets cranked up and sounds just fine.
So yeah, cheap gear but gets the job done for me anyway.
YMMV
 

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