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Sell me on a 5 string.

If you want an awesome 5-string bass for less then $1500, check out the Yamaha trbx505 or the trbx605fm. these basses sounds awesome for the price and is excellent for metal. they provide awesome sounds and they have a passive and active switch. and if you use distortion, they sound killer with it. I plan to get the trbx505 sometime in the future.
I have to agree with the trbx505. I bought one used, very cheap, as a backup to my Carvin. While I’ve always believed that Yamaha instruments punch above their weigh, I was very impressed with it. For the past 18 months the Carvin has lived at our rehearsal space and I practice at home on the Yamaha.
 
One of the G&L models with the MFD Humbuckers - either the L-2500 or the M-2500. The L-2500 is (IMO) the more versatile of the two, and can provide a reasonable emulation of many popular basses if you are willing to take the time to dial it in correctly. You can get reasonable facsimiles of a P, J, MM and other well-known sounds. The L-2500 will cut through even the most brutal of mixes. The control set on the L-2500 is somewhat unconventional, as the bass and treble controls are "cut only" and you really need to learn the switches to take full advantage of the capabilities of the instrument. One of the switches will put the bass in passive mode, a great solution if your battery happens to check out, and you don't have a replacement. Simply throw the switch and keep playing. If you go with a L-2500, I would suggest that you order one from the factory and request that it be built with the "K option". This option replaces the series/parallel 2-way switch with a 3-way series/parallel/single coil switch. The single-coil option takes one of the most versatile basses available and gives it a nearly ridiculous range of possibilities.

If you prefer a bass with a more "traditional" control set, the M-2500 features the familiar Volume-Blend-Bass-Middle-Treble controls with no switches. The pickups on the M-2500 are essentially the L-2500 PU under-wound by 11%. The M-2500 is often described as more "polite" sounding than the L-2500, but you can still get a very aggressive sound if you wish. It will not offer you quite the same level of angry "snarl" that you can get with a L-2500, but still has enough "oomph" to cut through the mix.

On either model, you get the G&L build quality, which is (IMO) among the best in the price range.
 
In that price range you have no end of choices. I have 3 and enjoy playing each of them. Fender American Jazz 5 string that I put Lindy Fralin pick ups in and absolutely love. Super easy action and tone for days. I also have a Fender American 5 string Precision that is a work horse and has great tone. Lastly I have a Gibson 5 string Thunderbird. Her previous owner put Thunderbucker pick ups in and she is my only active bass. Much different than the Fenders, but great fun and an anything from a purr to a growl to a roar from those pick ups. I have had great luck with all 3of my five strings. I wish you the best of luck on your quest.
 
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Ibanez SR1825E, This is what I'm getting $1400 new
 
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I've been looking for a spector with 19mm spacing but all i've seen have been really expensive.
The only Spector 5’s available with 19mm string spacing are the USA models. I have a Forte 5 with 19mm string spacing, but I bought mine used for about $1k more than the original poster is looking to spend. They are COMPLETELY worth it though, best playing and sounding 5 string I’ve ever owned..
 

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I also am considering a fiver. My concern is string spacing and neck width as my hands are smallish. I play a 71 Fender P and an NXT4 EUB. Any suggestions on narrower width fivers?

Warwick 5ers have 16.5 mm (that is 0.65 inches) string spacing, which is on the narrower side of 5er spacings. I think the Soundgears are about the same. I'd suggest something like a Warwick, if you're into gritty, growling tone!
 
The Ibanez SoundGear string spacing is very comfortable for me. I believe it's in the same neighborhood as all my Warwicks. I think the Ibanez BTB series has much wider spacing, just a heads up.
You would be correct. The BTB basses are closer to a broad-neck warwick.. or many ken smiths. The soundgears are some of the thinnest necks and tightest spacing around, which is great for smaller hands. Dont get me wrong lol... i love me some 19mm spacing on a jazz or P, but once you add 2 more strings... its just too much
 
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Mudd, here's one that fits the bill from a name that has a big-time presence in big rock and metal, ESP:

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Ash body, maple neck, ebony fingerboard, 6-bolt neck, sealed keys, Babicz bridge, Quarter Pounders with Seymour's BlackOut electronics, for a grand, direct from ESP in SoCal. Case extra (always . . . . ), but free shipping.

Smoke 'em if you got 'em . . . . . ESP's are WAY under-rated.
 

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