• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Set list with standard and half-step down tuning

Since most of the time we play one note at a time, we don't need to be in the exact same tuning. So I would probably keep my bass in dropped tuning and just play up a fret when needed. Or maybe I'd get a Hipshot detuner and tune down the E to a D for the dropped tuning stuff. I know I wouldn't use a 5-string, that's for sure ;)


This is what I do. Both, actually. I've found I'm using the Hipshot a lot lately. Almost 10 songs out of 40.

I'm 5-string curious, but can't seem to pull the trigger. I believe it was Stanley Clarke who, when asked why he doesn't use a 5-string, answered "Hell, I ain't even learned to play a 4 yet."
 
Couple choices all of which can work. I am playing in a cover band that has this OP situation; and I think it is becoming more typical.

The 5 string definitely enables almost anything, but there are a few tunes with lower notes written for drop tuning. You can always play them on the 5, but they can be a little more challenging for fingering and phrasing. Slither would be one of those.

Put a Hipshot on a 4 and then either set it for Eb or D, depending. The fingering can become a bit obtuse, but detuning to D allows a lot of tunes to be played in Eb. Point is you can almost always work the tune out. Most tunes are simple enough that they can even be played with obtuse fingerings. Just takes a little work.

BTW, the Hipshot is a really practical device for going back and forth between different tunings in a Covers situation. The 5 allows notes below D, and the lower notes are just always there. So, several solutions.
 
When gigging, we made it a point to eliminate as much on-stage tuning as possible by consolidating similarly-tuned songs. It keeps everything moving along.

I do keep multiple instruments in different tunings, but it's not always possible or feasible, especially in the typical small-stage club venue. In a professional concert setting (ie, orchestral pit), it is almost a necessity.