@dmt Another thing I was thinking about; a humbucker has a pretty wide magnetic field as far as I know. Even if the whole "harmonic node" thing isn't just a bunch of hocus pocus, it seems like exact placement might not be that important. You mentioned that bisonic having its neck side pole pieces aligned with the harmonic. But even if it was, would it even matter, considering the wide magnetic field?
This guy, who gets into the math of pickup placement, says (talking about
guitar pickups in this quote, I believe), "Pickups do not sense the string at a single point source, but rather over an area due to the width of the magnetic field. This sensing area is called the "aperture" of the pickup and is about an inch wide on a thin single coil pickup and
about 2.5 inches wide on a wider pickup such as the Gibson humbucker.":
Response Effects of Guitar Pickup Position and Width
However, I'll add that magnetic fields are not of uniform strength over the whole field; strength decreases rapidly with distance (inverse square law), and the highest strength will be over the polepieces, iiuc. But yeah, humbuckers are known to have a more spread out field than single coils.
Meanwhile, it seems to me that, considering that string length (and thus harmonics positions) is constantly changing as we play different fretted notes, placement under an open string harmonic is largely for reference, to have a reference point to work with. I mean, as you saw when you decided to go ahead with putting a bridge pickup in, the question immediately raises itself of, "But where?", and then "But where
exactly? I only get one chance at this and want to do it right." You could copy someone else, but where did
they get it? There's got to be some fundamental reasoning to one position or another. "Give me a number, man. And some plausible reason for that number, and then I can start cutting with a clear conscience."
Using a harmonic is mathy, sounds cool, is fun to play with and "seems like it makes sense"
FWIW, I would put it under a harmonic. There's some sort of comfort with having some basis like that. But now that I've seen that simple little homemade
pickup placement testing jig, I would make one of those and move the pickup around and see where I liked it, first. The big question to me would be, am I putting the bridge pickup in more for a blended sound, or for a second soloed pickup sound. I'm not completely sure how that would affect things, but I'm thinking that the farther towards the P sweet spot the second pickup is, the more I'd probably like it on its own. Like you, I know that I don't need a soloed pickup sound from right by the bridge. But maybe a wider spacing between pickups would work better for a blended sound?
And then what about the various possible volume settings when blending (not to mention tone knob settings), or with a series push-pull installed? One could go batty contemplating the possibilities, which brings me back to the ol' under-a-harmonic idea. Still remembering that the main point is to put it somewhere you like it.
So to wrap up my completely non-expert thoughts here, I'd say move the pickup around with that little jig and put it where you think it sounds best. If that combines with a harmonic, cool beans — comfort level goes even higher. Alternatively, if you can't decide where it sounds best (very possible — there's surely more than one good position), go with a harmonic per one of the three positions in my
previous post, and don't look back
Good luck!
PS - Oh yeah, and now we'll be wanting updates, of course
