Yes, except the bass has a 32" scale length.
Thanks. I must say, the Neo P in parallel has got to be my favorite tone of the three configurations.
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Yes, except the bass has a 32" scale length.
Thanks. I must say, the Neo P in parallel has got to be my favorite tone of the three configurations.
It is interesting. Thick and smooth, yet bright.
I really like the P pickup. Could that be done in a 5 string version? Even if it's in a MM housing or something.
Speaking of 32" scale basses, does anyone here have a 32" scale bass with SGD pickups installed? The Neo P samples sounded so good at this scale length...
Yes, I can do it in a different housing. I don't have a source for 5 string P pickup shells yet, but I'm working on it.
Couldn't you use four string shells, like Nordstrand do, just with the coils aligned suitably?
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With the blades, would it make the A string too powerful, passing over both coils?
With the blades, would it make the A string too powerful, passing over both coils?
The thing that'd concern me the most is that if the B, E, D and G strings are all sensed by only one coil each, but the A string is sensed by two coils, that A string is going to have some phase cancellation effects that won't be present for the other strings.. it'll be an "odd man out" tonally compared to the other strings.
The thing to remember here is with this pickup, each string is sensed by two coils, since each half is its own humbucker.
So in series or parallel mode there is no phase cancelation between each half of the pickup.
Ahh. I made no assumptions about the pair of P pickup shells being or not being humbuckers individually. I was thinking though that the A string was going to be sensed by coils from both of the pickup shells rather than just one, leaving it in a "blended J pickup tone vs. soloed J pickup tone" sort of situation via phase cancellation (string phase, not magnetic or electric phase) and comb filtering.
Here's the bass that the Neo P was tested in:
![]()
It's an alder body (actually started its life as a '74 P bass), and maple/walnut neck, with ebony fretboard, and carbon graphite reinforcement. The P pickup is where it would be on a long scale bass, and what I did was make the 1st fret as the nut. So it's like the bass has a capo on the first fret and was then tuned down a half step.

By the way, I wanted to mention to everyone that I made some changes to the way I build the pickups, which has cut build time by a significant amount.
So once I'm clear of the dozen or so orders I have in house, I'll be able to get them out the door much faster than in the past. And even these are half way done.
I'm striving to have orders out the door the same week I get them.
(And Jason, your order is coming soon!)![]()

RADBy the way, I wanted to mention to everyone that I made some changes to the way I build the pickups, which has cut build time by a significant amount.
So once I'm clear of the dozen or so orders I have in house, I'll be able to get them out the door much faster than in the past. And even these are half way done.
I'm striving to have orders out the door the same week I get them.
(And Jason, your order is coming soon!)![]()
By the way, I wanted to mention to everyone that I made some changes to the way I build the pickups, which has cut build time by a significant amount.
So once I'm clear of the dozen or so orders I have in house, I'll be able to get them out the door much faster than in the past. And even these are half way done.
I'm striving to have orders out the door the same week I get them.
(And Jason, your order is coming soon!)![]()
That's true, but the Neo Jazzbucker in parallel sounds pretty much like it does split.
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You only get a weeny bit more top end.
Impedance wise, the Neo P is wound more like the Neo J. It's wound with thinner wire though, so the DC resistance reads higher.
But as I said, I can supply it with 8 conductors.
David,
What is the signal path for this recording? I love the parallel mode!