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sharing vs. incentive

Mar 19, 2013
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2,694
St. Louis, MO
www.dudeabidesstl.com
Disclosures
If only I were that good....
hi all,

I am looking for advice from those who've been in bands that have done both. By that I mean those that have shared gig profits equally, as well as have been in bands where the guy who books the gigs may earn and extra %....here's what I want to know.

1.) did you notice any difference in the "work ethic" of members where the incentive was there?

2.) has anyone introduced that into a band that previously shared equally??? If so, how was it perceived?

I'm considering bringing this topic up to my band to get some movement.

Thanks all
 
Additional effort should equate to additional income. But then you open the door. The guy that supplied the PA thinks his extra effort is worth more. The guy that has the truck and hauls everything deserves more.... In short order a group of friends become at odds weighing their commitment/income efforts. Tensions rise and a good band dissolves. Personally speaking I think you avoid a conflict by keeping payoffs equal. Just my two cents.
 
hi all,

I am looking for advice from those who've been in bands that have done both. By that I mean those that have shared gig profits equally, as well as have been in bands where the guy who books the gigs may earn and extra %....here's what I want to know.

1.) did you notice any difference in the "work ethic" of members where the incentive was there?

2.) has anyone introduced that into a band that previously shared equally??? If so, how was it perceived?

I'm considering bringing this topic up to my band to get some movement.

Thanks all

I have not had much success with the democratic model. People tend to act out of their own short term self-interest in my experience. I often don't get what I personally need to be happy in the band if the band decides everything. And I find that if I don't look out for my own interests, no one else will. Your experience may be different.

The model that works the best, when I am doing all the sales and administration, is to not disclose the total amount charged for the gig, to the musicians. Make sure the client knows not to disclose the total amount either. I take a fee that I think adequately compensates me for the work I am doing and my administrative overhead. The musicians get the rest equally, unless there is some kind of extraordinary circumstance, such as having to bring on a sub at the last minute or something. In that case I might let the sub's pay eat into my share if s/he won't do it at the rate the other musicians are getting. In any case, whether the pay is fair depends on whether the musicians accept it. If I offer $x, and they accept it, the conversation is over, regardless of how much pay I get.

I have had success in letting people who book gigs take a commission for their trouble, even if they are not the band leader like me. But for other duties, such as hauling PA, or rehearsal related stuff, I don't offer a dime more than the even split the band gets after I take my share. The hard part is the sales and administration, and few people want to do it. There are significant costs and labor associated with it, and I am doing it, so I get a bigger share than anyone else.

Also, I've been sorely disappointed with musicians who promise to do the heavy lifting when they join the band. Unless they are in sales, they rarely do the sales work. They hate it, and sit back and reap the rewards of my hard work. No more.

If you talk about your concerns with the band, it's a crap shoot what you'll get at the end. Democracy is great, but not in bands....a fair band leader who compensates himself enough to keep his motivation high, while treating the band members fairly is my preferred approach to pay, incentive and "sharing".
 
IME, what happens with 'equal share' bands is that one person who is the most motivated and organized person in the band eventually does most of the work. That person will build resentment over time that they are doing more work for the same share. Over time, that person either gets burned out by the extra work or does less work like everyone else, which both result in the band eventually folding.

Personally, I won't lead a band where everyone expects an equal share. Of course there are times when I will pay an equal share when there is not enough budget to pay everyone fairly and take an extra cut. But, you better believe I will take an extra cut if there's enough margin. No-one in the band has a problem with it because they would rather take less than have to book gigs, haul a PA, or work on promo. I got into bands because of the music. Music is fun. Hauling gear is not fun. Cold calling for gigs and dealing with rejection is not fun. Doing social media, websites, etc. is not fun, and I could get paid way more doing it professionally than in a band. As a BL, I spend way more time doing the non-fun stuff than actually playing music, and I want to get compensated for it. Otherwise, I'll just be a sideman and trade in the extra cut for just showing up and playing and not having to worry about anything else.
 
My mantra on this point is that, whatever arrangement you're going to have on money, work it out with everyone BEFORE any money gets made or spent. Because the other thing that will stir up resentments fast is people expecting money to work out one way and then getting a comeuppance when they don't get as much as they thought they would or are asked to pay for something they didn't think they would.
 
When I work with a band, I encourage the bandleader to take an extra cut for booking, PA, etc. I've found that among jazz players, there is no resentment for this.

What happens in practical terms, is that bandleaders have a sliding scale for musician pay, and for their own pay. They will pay more for the particularly high profile gigs. For instance I've gotten $100 and $250 from the same bandleader, depending on the circumstances of the gig. When it's really small money, then it tends to be split more equally, just to have enough for the players, but the low profile gigs also take a lot less effort for the bandleader to manage.
 
IME, what happens with 'equal share' bands is that one person who is the most motivated and organized person in the band eventually does most of the work. That person will build resentment over time that they are doing more work for the same share. Over time, that person either gets burned out by the extra work or does less work like everyone else, which both result in the band eventually folding.

Personally, I won't lead a band where everyone expects an equal share. Of course there are times when I will pay an equal share when there is not enough budget to pay everyone fairly and take an extra cut. But, you better believe I will take an extra cut if there's enough margin. No-one in the band has a problem with it because they would rather take less than have to book gigs, haul a PA, or work on promo. I got into bands because of the music. Music is fun. Hauling gear is not fun. Cold calling for gigs and dealing with rejection is not fun. Doing social media, websites, etc. is not fun, and I could get paid way more doing it professionally than in a band. As a BL, I spend way more time doing the non-fun stuff than actually playing music, and I want to get compensated for it. Otherwise, I'll just be a sideman and trade in the extra cut for just showing up and playing and not having to worry about anything else.

These are my feeling exactly. Add that I will sometimes take a lesser share than the rest of the band to keep their motivation high during drought periods or in new startup mode...
 
Additional effort should equate to additional income. But then you open the door. The guy that supplied the PA thinks his extra effort is worth more. The guy that has the truck and hauls everything deserves more.... In short order a group of friends become at odds weighing their commitment/income efforts. Tensions rise and a good band dissolves. Personally speaking I think you avoid a conflict by keeping payoffs equal. Just my two cents.

My issue with PA stuff is that everyone in my group has a PA, and some volunteer to bring it depending on the gig. Hauling PA gear goes uncompensated in all my bands. And I tend to haul more than anyone else...
 
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My issue with PA stuff is that everyone in my group has a PA, and some volunteer to bring it depending on the gig. Hauling PA gear goes uncompensated in all my bands. And I tend to haul more than anyone else...
I get it. I was gigging in the 70's-80's. And I was one of two members in my group that worked a job otherwise. So we tended to have the largest financial investment in the group. Thing was. At that time in my life I didn't see things from that perspective. There were five of us and our price was 500 for Friday/Saturday night. So for us anyway, making concessions for booking or whatever didn't translate to all that much cash really. Wasn't worth the potential stress it would introduce to the members.
 
Every situation is different. It's usually best to have one person doing the talking with the venues. If other people get a contact, pass it on to the person in charge - makes things easier. I have been in bands where I offered to give a bonus to the PA owner and/or the person who booked gigs, but only when we used an outside promoter did it happen that they got extra bucks.
 
hi all,

I am looking for advice from those who've been in bands that have done both. By that I mean those that have shared gig profits equally, as well as have been in bands where the guy who books the gigs may earn and extra %....here's what I want to know.

1.) did you notice any difference in the "work ethic" of members where the incentive was there?

2.) has anyone introduced that into a band that previously shared equally??? If so, how was it perceived?

I'm considering bringing this topic up to my band to get some movement.

Thanks all
We split gig money evenly. I maybe wouldn't go about in a that way as far as saying someone deserves more money than another. Rather I would make it a point that this person or that person is slacking off a bit. My band is pretty spread out up and down 95 in NC so we work as a team. I'm not gonna ask my guitar player who lives in raliegh to drive an hour to flyer here where I live and vice versa.

What we don't always split evenly is merch money. That's all about who fronts the money. If someone didn't contribute finaincially to a recording session or chip in to have some new shirts made they get a smaller cut until it evens out.
 
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1.) did you notice any difference in the "work ethic" of members where the incentive was there?

if you are asking what I think you're asking..it's been my experience that how well people do thing is independent of how much they make doing it. Nobody ever buckles down because the got a raise.

If you tell someone that they are now going to pay to have someone do the work they won't do..they are going to find a whole new level of lazy that you didn't even know was possible in this universe since well..now they are paying someone to do it, "Bulah, peel me a grape"
 
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if you are asking what I think you're asking..it's been my experience that how well people do thing is independent of how much they make doing it. Nobody ever buckles down because the got a raise.

If you tell someone that they are now going to pay to have someone do the work they won't do..they are going to find a whole new level of lazy that you didn't even know was possible in this universe since well..now they are paying someone to do it, "Bulah, peel me a grape"

I'm sorry but I really don't understand the 2nd part of your statement....but still I appreciate the time and effort to respond!

I work in sales, where I get a bettercommission for better numbers, so the more I buckle down the more I make. I came to this job from a job I hated and made crap money, and I DEFINITELY work way harder now but it's worth it.

What I'm basically asking is does anyone notice this same sort of trend in bands? Is more money an incentive? Or do we find it's always going to be a driven member getting gigs vs. trying to incentivize members??
 
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I'm sorry but I really don't understand the 2nd part of your statement....but still I appreciate the time and effort to respond!


What I'm basically asking is does anyone notice this same sort of trend in bands? Is more money an incentive?

No. more money does not motivate a musician and if you get in their pocket it will not motivate them, it will make them less inclined to help.
 
In our situation, incentive money wouldn't be enough to make that much of a difference. We're weekend warrior types, and in our band we "pretty much" split things evenly. 500 bucks between 7 people and a sound person? How much incentive can we create?

Sour feelings happen if you don't help set up and take down. The guy who brings the PA isn't stuck with setting everything up himself. Sometimes he DOES get a double share, it sort of depends on how much of a hassel it is and what mood everyone is in. Same for the drummer and the light show. Get there early and help set up, then hang around until the van and trailer is good to go, and the subject doesn't come up.

But if a guy who plays trumpet or trombone on half of our songs shows up at the last minute and walks out immediately after the show expecting an equal share that would be the beginning of a problem.