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She-Ra's Shed

Log Date: Thursday, April 2
  • Fretboard
    • Review @ 110bpm - 5
    • B @ 100bpm - 10
  • Technique & Dexterity
    • Bass Fitness: Part B @ 70bpm in 8ths - 30
    • Pentatonic modes - 20
      • @ 85bpm: matrix+directional+4-note
    • Major Modes - 20
      • Ionian @ 80bpm: Bassology Six Variations
      • Dorian @ 75bpm: Bassology Six Variations
    • SBL:TAP - 20
      • Economy Plucking (descending)
      • Muting (floating thumb hybrid)
      • Alternating Plucking (ascending)
  • Groove & Time
    • Internal Rhythm 3/1 - 10
  • Theory
    • Note Name Matrix - 5
    • Key Sharps/Flats - 10
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • -

287/10k
 
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Log Date: Saturday, April 4
  • Fretboard
    • Review @ 110bpm - 5
    • B @ 100bpm - 10
  • Technique & Dexterity
    • Bass Fitness: Part B @ 70bpm in 8ths - 30
    • Pentatonic modes - 30
      • @ 97bpm: directional
      • @ 85bpm: matrix+4-note
    • Major Modes - 20
      • Ionian @ 80bpm: Bassology Six Variations
      • Dorian @ 75bpm: Bassology Six Variations
    • SBL:TAP - 20
      • Economy Plucking (descending)
      • Muting (floating thumb hybrid)
      • Alternating Plucking (ascending)
  • Groove & Time
    • Internal Rhythm 3/1 - 15
  • Theory
    • Note Name Matrix - 5
    • Key Sharps/Flats - 10
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • -

289.5/10k
 
  • Like
Reactions: Rilence
Log Date: Monday, April 6
  • Fretboard
    • Review @ 110bpm - 5
    • B @ 110bpm - 10
  • Technique & Dexterity
    • Bass Fitness: Part B @ 70bpm in 8ths - 30
      • Holding a finger down for these exercises is a pain in the butt! This is harder than I thought it would be.
      • Some of these stretches are physically painful so I'm going to avoid them, or move them a bit so they are more comfortable. For example, I'm holding the 4th note on the B string, and playing note 1, 2, and 3 on the G string is quite painful for me given that I'm playing a 5 string with 19mm spacing on the strings. So I might alter it to hold my pinky on the 4th note on the E or A string, depending on comfort. I'm going to have to ask Anthony about some of this stuff.
    • Pentatonic modes - 1:00
      • @ 95bpm: directional
      • @ 83bpm: matrix + 4-note
      • @ 80bpm: matrix + moving starting points
    • Major Modes (Bassology Six Variations) - 30
      • Ionian @ 80bpm
      • Dorian @ 75bpm
      • Phrygian @ 70bpm
  • Groove & Time
    • Internal Rhythm 3/1 - 10
  • Theory
    • Note Name Matrix - 5
    • Key Sharps/Flats - 10
  • Genre Studies
    • -
  • Transcription
    • -
  • Lesson
    • SBL: TAP Lesson 5 - This lesson is all about fixing flying fingers, and avoiding collapsing joints, as well as the 'see-saw'. Basically, it's a lot of the stuff all the stuff I've been working on for a while, while doing exercises from the Bass Fitness book. So this was sort of a non-lesson for me personally. Good to see that I'm on the right path though on my own sometimes, and good to go over stuff that I should continue watching out for. :) Because of this, I think that I'll incorporate this week's time dedicated to the SBL stuff into the Bass Fitness stuff for double bang for the buck points.

Notes & Comments:
  • I've been having difficulty with "staying on task" with this whole pandemic/self-quarantine thing. Usually, I enjoy the schedule of coming home from work, digging in to practice, and then going to bed. Working from home and then practicing.... well I've turned out to be a bit more wishy-washy than I expected of myself. The solution is to focus on being more disciplined and diligent about practice, even in the face of days blurring together.

289.5/10k
 
-SNIP-
  • I've been having difficulty with "staying on task" with this whole pandemic/self-quarantine thing. Usually, I enjoy the schedule of coming home from work, digging in to practice, and then going to bed. Working from home and then practicing.... well I've turned out to be a bit more wishy-washy than I expected of myself. The solution is to focus on being more disciplined and diligent about practice, even in the face of days blurring together.

289.5/10k

I hear you, man. Everyone's got a bit of the old brain fog with what's going on at the moment. Just be kind to yourself, hang in, and do the best you can. I'm sure I speak for everyone who follows your thread, but you & your journey has been a massive inspiration to me & my own playing personally (so far as me just plain persevering & keeping at it has gone) these past 8 months or so since you started this thread. So for that I thank you. Please take care of yourself
 
Bass Fitness: Part B @ 70bpm in 8ths - 30
  • Holding a finger down for these exercises is a pain in the butt! This is harder than I thought it would be.
  • Some of these stretches are physically painful so I'm going to avoid them, or move them a bit so they are more comfortable. For example, I'm holding the 4th note on the B string, and playing note 1, 2, and 3 on the G string is quite painful for me given that I'm playing a 5 string with 19mm spacing on the strings. So I might alter it to hold my pinky on the 4th note on the E or A string, depending on comfort. I'm going to have to ask Anthony about some of this stuff.
I'm actually running into this too. I used to do stuff like this back when I played a four-string, and I think I have a pretty good reach overall...but on my six, the B to C stretch is difficult and seems to be leading to some issues. I've decided to try it on five of my six strings and work up to the six-string stretch - I can do the exercise, but I definitely feel as though I'm overextending in many cases.

One stretch exercise that helped me a lot early on was the spider stretch, like so:

G 1---4---3---2---
D -----------------
A -----------------
E 3---2---1---4---

I'd choose my upper and lower string and it helped me stretch my fingers and the palm of my hand. I would hold each chord for a whole note at a slow tempo. This can be applied to any stringed instrument and can be practice between any pair of strings.

(This does not, however, address the stretch between two directly adjacent fingers like in the exercise, and that's the hard part.)

I've been having difficulty with "staying on task" with this whole pandemic/self-quarantine thing. Usually, I enjoy the schedule of coming home from work, digging in to practice, and then going to bed. Working from home and then practicing.... well I've turned out to be a bit more wishy-washy than I expected of myself. The solution is to focus on being more disciplined and diligent about practice, even in the face of days blurring together.

Yeah, I hear you. For me, I've just been trying to have non-zero days - so every day, something will happen, even if it's less than optimal. I set up a practice space for myself, but I've actually found myself running finger dexterity with the TV on - again, maybe I'm ADD or something, but having something on the background sometimes helps me "zone out" if that makes sense. (There are fewer smaller distractions so I'm able to focus on what I'm doing. I've always been like this - drawing during a lecture, etc.) I think it helps me with patience, really. It's not ideal for learning or intense focused practice, but I'm able to do drills with less tedium and so it's helped me maintain a daily drill habit. Maybe something similar could help? Mixing your reward time with your bass time? Or maybe it's a bad idea, I dunno.

At any rate, yeah, hard time for all of us with habits being altered, etc. Hang in there. And I agree with @Rilence - your journaling has inspired me to try to be better, and I love following this thread. Improving on bass is a lifelong marathon, so no worries about temporary stumbles as long as you keep going. Good luck, stay safe.
 
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I've just been trying to have non-zero days (...) found myself running finger dexterity with the TV on (...) having something on the background sometimes helps me "zone out" if that makes sense. (...) Or maybe it's a bad idea, I dunno.
It's not a bad idea, it's just one that will work for some and not at all for others. It does for me, by the way.

On a personal note, it's 9:30 pm here and so far it's a Zero Day for me. My excuse is, my job goes on and has become very trying for me. I'm permanently tired.

You know what: your mention of Non Zero Days has inspired me: maybe I'll still strap a bass on and use headphones.
 
Log Date: Tuesday, April 7
  • Fretboard
    • Review @ 110bpm - 5
    • Bb/A# @ 90bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part B @ 70bpm in 8ths - 15
    • Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 60bpm
        • Really used today as a reset of sorts - focused on posture, double checking that I was sitting comfortably, staying loose and relaxed, playing without tension, using alternate plucking as I ascend, and economy plucking as I descend
  • Groove & Time
    • Internal Rhythm (3/1 & 6/2) - 15
      • I've gotten the 3/1 to be VERY consistent at everything from 60bpm to 140bpm. So I'm starting to add two bars off at the end of an eight bar phrase, for added challenge. Gonna stick with this until I'm comfortable and then I'll go to 2/2 - which I have tried and is not bad, but I figure I should progress. Trust the process, right?!
  • Theory
    • Note name matrix @ 130bpm - 5
    • Key signature & sharps/flats - 10
    • Scale memorization (D/Db) - 5
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • Virtual dinner with friends tonight, so today was a shortened bass day.
  • Forgot to update time again yesterday. lol
  • Thanks for all the kind words, ya'll! It's definitely important to keep in mind that learning to play an instrument is a marathon, not a sprint, but I think we all sometimes forget that and let it get to us - I know I do! Thanks for the reminder. :)
  • @juggahnaught Yeah - the spider exercise has been really helpful for a lot of dexterity and finger exercises. I don't include it in my practice log because I don't really "practice it" but I try to do it every day for at least 5 minutes. Maybe I'm watching something on YouTube, or while I'm compiling code, or doing something else. I do the John Pattituci version that I saw him recommend (which is basically the same as yours but backwards):
G -------------------|----------------------|
D -------------------|---3---4-----1---2--|
A --3---4----1---2--|---------------------|
E 1---2----3---4----|1---2-----3----4----|

... and so on across all the strings. I ever try to do it over the 5 strings, but that gets hairy. I'm stretching at 4, currently.

Stay safe, everyone. And remember, if anyone gets too close, just whip out a bass solo, and they'll immediately start talking to whomever is closest to them. :P

293.5/10k
 
Whoops - I forgot to say that the spider stretch exercise I'm referring to is actually a double-stop; you play chords, not the individual notes. You hold the two-note chord for a whole note to really feel the stretch in your hand. (You can also do this as a regular spider exercise, but I found that the static stretching helped me a lot in the positions near the nut.)

Time to work on my soloing....keep it up.
 
Log Date: Tuesday, April 14
  • Fretboard
    • Review @ 110bpm - 5
    • Bb/A# @ 90bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part A @ 100bpm in 8ths - 30
    • Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 70bpm in 16ths
    • Arpeggios - 30
      • Ionian @ 70bpm (directional permutations)
  • Groove & Time
    • Internal Rhythm (3/1 & 6/2) - 15
  • Theory
    • Note name matrix @ 130bpm - 5
    • Key signature & sharps/flats - 10
    • Scale memorization (D/Db) - 5
  • Genre Studies
    • -
  • Transcription
    • -
  • Lesson
    • Bassology - Brief recap and answering some questions about fingering and technique. Then we covered extended arpeggios and some exercises to really learn them.

Notes & Comments:
  • Decided to get away from civilization for a bit so I went camping by my self Wednesday - Monday morning; only minor review in my head was possible as I obviously did not bring a bass with me. Was too tired to do anything meaningful yesterday aside from just noodling around for a few hours after choring around the house.
  • Postponed the SBL Technique lesson till tomorrow so I can get the ball rolling into practice again.
  • @juggahnaught Yep, I see it now. Somehow that went totally over my head. haha.

295/10k
 
Log Date: Wednesday, April 15
  • Fretboard
    • Bb/A# @ 90bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part A - 20
    • Major Modes (Bassology Six Variations) - 20
      • Ionian, Dorian, Phrygian
    • Arpeggios - 20
      • Ionian (directional permutations)
  • Groove & Time
    • -
  • Theory
    • -
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • Busy night so less bass time than normal.
  • I was not able to use a metronome today and it felt very weird.

296/10k
 
Log Date: Friday, April 17
  • Fretboard
    • Review @ 100bpm - 5
    • Bb/A# @ 90bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part B @ 70bpm - 30
    • Pentatonic modes - 30
      • @ 95bpm: directional
      • @ 83bpm: matrix + 4-note
      • @ 80bpm: matrix + moving starting points
      Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 70bpm in 16ths
    • Arpeggios - 1:00
      • Ionian, Dorian, Phrygian @ 70bpm (directional permutations)
  • Groove & Time
    • Internal Rhythm (3/1 & 6/2) - 15
  • Theory
    • Note name matrix @ 140bpm - 5
    • Key signature & sharps/flats - 10
    • Scale memorization (D/Db) - 5
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • -

299/10k
 
Log Date: Saturday, April 18
  • Fretboard
    • Review @ 100bpm - 5
    • Bb/A# @ 100bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part A @ 100bpm - 30
    • Pentatonic modes - 30
      • @ 95bpm: directional
      • @ 83bpm: matrix + 4-note
      • @ 80bpm: matrix + moving starting points
      Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 75bpm in 16ths
    • Arpeggios - 1:00
      • Ionian, Dorian @ 70bpm/16ths
      • Phrygian @ 60bpm/16ths
  • Groove & Time
    • Internal Rhythm (6/2) - 15
  • Theory
    • Note name matrix @ 140bpm - 5
    • Key signature & sharps/flats - 5
    • Scale memorization (D/Db) - 5
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • -

302/10k
 
Log Date: Tuesday, April 21
  • Fretboard
    • Review @ 100bpm - 5
    • Bb/A# @ 100bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part A @ 100bpm - 30
    • Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 80bpm in 16ths
    • Arpeggios - 30
      • Ionian, Dorian @ 70bpm/16ths
      • Phrygian @ 60bpm/16ths
  • Groove & Time
    • Internal Rhythm (6/2) - 15
  • Theory
    • Note name matrix @ 140bpm - 5
    • Key signature & sharps/flats - 5
    • Scale memorization (D/Db) - 5
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • Ran through repertoire for a good 3 hours today as well.

304/10k
 
Log Date: Wednesday, April 22
  • Fretboard
    • -
  • Technique & Dexterity
    • Bass Fitness: Part A @ 100bpm - 30
    • Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian @ 80bpm/16ths
      • Lydian @ 70 bpm/16ths
    • Arpeggios - 30
      • Ionian, Dorian, Phrygian @ 75bpm/16ths
      • Lydian @ 60bpm/16ths
  • Groove & Time
    • -
  • Theory
    • -
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • Virtual dinner w/ friends
  • Forgot to post this last night again.

305.5/10k
 
Log Date: Thursday, April 23
  • Fretboard
    • Review @ 100bpm - 10
    • A @ 70-90bpm - 5
  • Technique & Dexterity
    • Bass Fitness: Part A @ 100bpm - 30
    • Pentatonic modes - 30
      • @ 95bpm: directional
      • @ 80bpm: matrix + 4-note + moving starting points
    • Major Modes (Bassology Six Variations) - 30
      • Ionian, Dorian, Phrygian, Lydian @ 80bpm/16ths
    • Arpeggios - 30
      • Ionian, Dorian @ 75bpm/16ths
      • Phrygian, Lydian @ 70bpm/16ths
  • Groove & Time
    • Internal Rhythm (6/2) - 10
  • Theory
    • Note name matrix @ 140bpm - 5
    • Key signature & sharps/flats - 5
    • Scale memorization (A/Ab) - 5
  • Genre Studies
    • -
  • Transcription
    • -

Notes & Comments:
  • @instrumentalist My friends and I, usually, have a "friend date night" on Wednesday nights where we get together and play boardgames as an excuse to catch up, but, due to the circumstance, we just turn on our cameras and chat while we eat to keep that going. It's just a way of staying connected, and not losing our weekly ritual that makes sure we're in touch. I've seen a lot of friend groups slowly lose touch, especially as they go into mid/late 30s, so it's nice to have an easy thing to fall-back on. :) It's definitely a bit weird to do it over camera, but, hey, what can you do.
  • I need to get back to progressing on the technique stuff. I've really been focusing on muting and dynamics for the past few weeks, pretty specifically. Floating thumb for muting feels both natural in some respects, and sometimes wildly unnatural - which is where I'm trying to tame it. Going to continue this till next week and then continue again.

307.5/10k
 

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