If it were a partial shim, absolutely, confidently.
Absolutely not.
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If it were a partial shim, absolutely, confidently.
Yet some use foam mutes to take away sustain![]()
Every bolt on neck I own but one has a shim in the neck and they will all sustain a not longer than I would ever need them to. How long are you guys holding these notes?

That's right, wood shims have about the same effect. If you apply enough pressure on a small wood shim it behaves pretty much like foam.
And that's why Leo's guitars had shims not made from wood, although it wasn't for a lack of wood splinters in the workshop.
Leo's guitars had a sand paper shim because it was alot easier to cut a piece of sand paper, than it would be to cut a small enough piece of wood.
Your theory is absolutely incorrect, and goes against all logic. The internet is full of bad information, you are just adding to it.
Hardwood compressing? I made some engine mounts for an offshore cruising sailboat out of purpleheart that didn't compress under a 40hp engine. I'd love to see pics of these hardwood neck shims that have supposedly flattened out like they were foam.
Paper and many forms of carton are very hard to compress.
You can easily test that with some wood splinter, even maple, and a pair of pliers.
Engine mount, yes?
Take a maple piece the size of a neck shim and press really hard with pliers. That'll deform it real good. And that isn't what you want in the neck pocket.
Engine mount, yes?
Take a maple piece the size of a neck shim and press really hard with pliers. That'll deform it real good. And that isn't what you want in the neck pocket.
Point loading a piece of wood with pliers does not simulate what that shim experiences being squeezed between neck and pocket. A wood shim may deform a little on the leading edge when you first tighten the neck but it will settle quickly and not move after that...the foam analogy is way out to lunch. Leo was infinitely practical and I'd guess the reason he used paper is that it's much faster to make precise adjustments with...fitting a wood shim takes longer.
You can use long pliers and try to compress the whole maple piece. It'll work.
Try it with high quality sandpaper. It won't.
Wood != cast iron. It has a lot of non-solid content. That's why we like it. If it's applied in big enough chunks.
I spend a good part of my current day gig obsessing over things like leverage and point loading and you're not going to get an accurate sense of the working behavior of a shim by crushing it with pliers of any sort. The distribution of load and angle of pressure are different and the leverage is enormously greater. You need to observe what happens when you actually install it in an instrument and past some initial deforming I've never seen a hard maple shim gradually compress over time.
Of course I care, don't put words in my mouth.So you say just because you don't care nobody else should?
I am not talking about gradual compression. I'm talking about taking up some of the vibrations due to (temporary) compression.
How is any compression of a shim in a bolted on neck "temporary"? If you're as [DEL]anal[/DEL] discerning as you appear to be why are you using partial shims at all? In the few instruments I've had to shim I've either used full contact hardwood shims that cover the whole neck pocket, a full contact wedge or modded the pocket itself. Honestly the partial shims we're talking about here are a stopgap alternative to doing it right.
I don't have any bolt-on that needs a shim right now. The only one that did I re-routed the neck pocket to correct the neck angle.
The compression is that a shim not totally hard eats up some vibrations as they travel between body and neck. I think you don't quite calculate how much force is involved in that 4-bolt mount and how little flexibility you need in a shim to eat up some vibrations.