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Short scale Stingray!

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I had to chime in on this too. The previous posters have done well to describe this instrument. I feel the same enthusiasm. I am personally blown away with my EBMM Stingray SS. Low weight, perfect size/ergonomics, first rate finish , 22 frets and the finest passive electronics that I have had the pleasure to play. The electronics are super high quality (overbuilt), powerful, incredibly easy to adjust and every frequency range sounds killer...the electronics blow away the active Stingray that I used to own and every other bass that I’ve owned for that matter. Ernie Ball has made something here that has never been created before. I finally have a short scale with no compromises. Fat, classic tone out of an instrument that physically fits.
 
View attachment 3556790 I had to chime in on this too. The previous posters have done well to describe this instrument. I feel the same enthusiasm. I am personally blown away with my EBMM Stingray SS. Low weight, perfect size/ergonomics, first rate finish , 22 frets and the finest passive electronics that I have had the pleasure to play. The electronics are super high quality (overbuilt), powerful, incredibly easy to adjust and every frequency range sounds killer...the electronics blow away the active Stingray that I used to own and every other bass that I’ve owned for that matter. Ernie Ball has made something here that has never been created before. I finally have a short scale with no compromises. Fat, classic tone out of an instrument that physically fits.

i get mine on Thursday! It was a display unit, so I'm thinking the set-up will be on point, vicissitudes of transit notwithstanding. You guys got me psyched.
 
Well, only so much as a Sterling is the same thing as a Stingray; they're not, and that's why both models sell. Definitely interested in the passive electronics, and the Sterling body. If they never do it, not a problem as I won't worry about something that doesn't exist, but if they do a short scale Sterling, I'll belong to the demographic they're making them for.

Yes, it does say Stingray on the headstock and Sterlings say Sterling. But what I meant was that it's features have more in common with a Sterling than a Stingray. There hasn't been a production Stingray (4) with coil tapping to my knowledge. The body is WAY smaller than a Stingray (although the shape is still Stingray-ish) and lighter (like a Sterling only lighter still). The neck is definitely closer to a Sterling in feel than it is a Stingray (even the SLO special). I do understand your point, but this thing, although Stingray in spirit and headstock decal, is not at all a typical Stingray. And no, of course, it is not a Sterling either. I call it manna... :thumbsup:

It just occurred to me that it is a great time to be a short scale bass player. With this short scale Stingray, I've gotten the best sounding Music Man instrument I've ever had, regardless of scale length--in a short scale! In fact, the best sounding short scale, period. I've gotten the best sounding Fender Mustang ever in the American Performer Mustang. And I've gotten the best sounding Spector bass, regardless of scale, in the Spector Bantam. There are more REAL, quality basses that happen to be short scales and sound good than ever before. No more second-rate toys, cheapies, or basses that are somehow compromised in sound or playability here. Manufacturers have finally gotten serious about developing quality short scale basses. I think we have the success of the Fender Mustang PJ to thank for this, which in itself is a great little bass for the money.
 
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I just dropped off my SS Stingray to get set up properly and will get it back next week because it requires a lot of work. I know Ernie Ball (or maybe TB users of EB) always brag about having such great setups out of the box but both my Sterling H and this SS Stingray (both 2019 editions) needed some major setup work from the factory - much more than my American Pro Precision. My Reverend Wattplower actually required the least setup. I'm looking forward to seeing how much nicer the SS Stingray is after a proper setup. When I first got it, I tried changing the pickup configurations and the knob to switch between 3 settings immediately broke off on my first go, so I haven't even heard the different positions yet. The guys at the bass shop told me that my brand new Sterling required all sorts of fret leveling that my other basses didn't require as well. A bummer for both $2K+ instruments when my Wattplower was much less in cost. But that being said, mine is under 7 lbs and doesn't neck dive. It's worth it to me to see it through and see what all the fuss is about.
 
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I've owned well over 100 basses from $99 to $6000, and never had one that didn't need a set up when I got it. "Needing a setup" has more to do with people's preferences than anything else. Many basses I've owned I'm sure were perfectly set up, right out of the case, for someone other than myself :). A lot has to do with where a bass is shipped from, also. Climate changes do have an effect on the frets, setup, etc.

All my Stingray needed for me to love it was a drop on some of the saddles. I didn't even need to touch the neck, which I'm realizing is a lot more stable than on other basses I own. The venue I played yesterday felt like it was air conditioned to 40 degrees... and I didn't have to re-tune my bass. It was still in tune from the previous gig, and that didn't change, despite the freezing cold venue. That's an odd experience...

@BassAssHat , who are you going to for setups? I know I'm making a big assumption here, but if you feel the need to go to a professional to have your bass set up, I think there's also a possibility your tech is taking you for a little bit of a ride. I've seen that happen. Some techs like to fix things that don't need fixing, simply because they have a prejudice toward certain manufacturers (and a love for others). Or because they find something ridiculously simple they can do that help them to pocket an extra $50. I'm not saying MM is incapable of anything less than perfection, but in my experience they have MUCH better quality control than Fender, as well as many other bass manufacturers.

RE the Stingray/Sterling thing, I'd agree that this has more in common with a Sterling than a Stingray, but it also has a lot more oomph than my Sterling did.
 
I just dropped off my SS Stingray to get set up properly and will get it back next week because it requires a lot of work. I know Ernie Ball (or maybe TB users of EB) always brag about having such great setups out of the box but both my Sterling H and this SS Stingray (both 2019 editions) needed some major setup work from the factory - much more than my American Pro Precision. My Reverend Wattplower actually required the least setup. I'm looking forward to seeing how much nicer the SS Stingray is after a proper setup. When I first got it, I tried changing the pickup configurations and the knob to switch between 3 settings immediately broke off on my first go, so I haven't even heard the different positions yet. The guys at the bass shop told me that my brand new Sterling required all sorts of fret leveling that my other basses didn't require as well. A bummer for both $2K+ instruments when my Wattplower was much less in cost. But that being said, mine is under 7 lbs and doesn't neck dive. It's worth it to me to see it through and see what all the fuss is about.
Man, if the knob broke off, I would return that bass immediately. It's a $2K bass.
 
If it is the knob that slipped off the shaft, that it annoying and shouldn't happen on a new instrument (I've had it happen before), but an easy fix. On the other hand, if the shaft actually broke off... that is kind of a big deal because the pot is likely integrated into a circuit board in the control cavity. If that's the case, I hope it's not something that you'll have to send it back to Ernie Ball to fix. That kind of thing generally takes awhile and is REALLY annoying.
 
Yes, it does say Stingray on the headstock and Sterlings say Sterling. But what I meant was that it's features have more in common with a Sterling than a Stingray.

Oh, absolutely. I like the Sterling design better aesthetically. A mini-Sterling could be like an upscale take on a short-scale like the Cort Action Bass Jr - downscaled offset body, slim neck, smaller headstock. And that Spector Bantam looks amazing for the money.

It is a great time for shorter scales. Ibanez has new 'Mezzo' 32" medium scale instruments, though they are rather cheapish at $299 - I wish they'd reintroduce the Bean Bass with updated construction and long and medium scale options tbh - that was their take on the Spector formula. I've been scouring Japanese auction sites for older medium-scale Motion B basses too...
 
I like the Sterling design better aesthetically.
Me too, hence, my posts saying I'd like to see a short scale Sterling.

Ibanez has new 'Mezzo' 32" medium scale instruments, though they are rather cheapish at $299 - I wish they'd reintroduce the Bean Bass with updated construction and long and medium scale options tbh - that was their take on the Spector formula. I've been scouring Japanese auction sites for older medium-scale Motion B basses too...
Lots of 32" medium scale basses in Japan and I've had quite a few of them, including three beveled edge Jazz Bass Specials, the last one of which is in my avatar, and a Yamaha which I still have. I was on a medium scale buying binge when my girlfriend was my bass player, but am down to the last two that she used to play on stage.
 
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And that Spector Bantam looks amazing for the money.

It is an awesome bass. Before I actually got it, I'd planned on changing the pickups because I'm not huge on EMG actives, especially the DC pickups. So I'd planned on either swapping to the EMG PJ version of soapbars or the Nortstrand Big Single replacement for 35DC. But there is no need. The DC pickups seem to work pretty well for this bass and it sounds great. And that Spector body shape works great on a short scale.

I used my SS Stingray this morning at an open jam gathering. Everybody loved it. Talking about a clear voice in the mix! It even cut through a wall of acoustic guitars, and if you've ever been to a jam with a bunch of strumming acoustic guitars, you know how boomy and muddy that can get. Some of my other basses just get lost in that mushy acoustic soup--not the SS Stingray.
 
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