I started out on a poorly constructed, no-name j-bass copy that I guess (?) was a long scale.
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Short v Long Scale - Just an observation
- Thread starter BAG
- Start date
I started out on a poorly constructed, no-name j-bass copy that I guess (?) was a long scale.
"There are a lot of factors that affect how a bass "feels" - not just body size and weight, but also where the strap pins are, where the neck meets the body, etc."
I agree with hieronymous. My Dub King "plays" longer than my Mustang or SX shorties despite having the same scale length. I string them all with flats because the round-wound E string feels too floppy to me (plus I just prefer the sound and feel of flats overall).
All my bases are shorties. Of the lot, the SX "P-style" feels the most "toy-like".
That's a sweet looking pair, MS. How is the Dub King in the feedback resistance department? (i.e., loud, outdoor stage conditions)
I would not say that the Jag SS is "toylike'....it is simply a musical tool designed to do what it does. The bottom line is what comes out of the amp speaker.
Depending on what you string it with the Jag will produce.
The Ibanez Mikro looks more toy-like......and I wish they'd put just a bit more quality into the build. That said, again it's a musical tool that addresses a niche.
And even out of the box it will deliver........
Both are totally playable and in the hands of a competent person can and do hold their own.....
When you go into a shop and look at all the bigger "non toy-like " basses.....yes, some are well made and are of stouter construction....but there will be many that you try out and immediately hang back up on the rack simply because it doesn't feel right and isn't for you regardless of how well it is made.
Even the Bronco is not a toy. It does what it does for the money paid. If you like it, you like it...if you don't, you don't.
There are some really good higher priced shorties out there too.
Depending on what you string it with the Jag will produce.
The Ibanez Mikro looks more toy-like......and I wish they'd put just a bit more quality into the build. That said, again it's a musical tool that addresses a niche.
And even out of the box it will deliver........
Both are totally playable and in the hands of a competent person can and do hold their own.....
When you go into a shop and look at all the bigger "non toy-like " basses.....yes, some are well made and are of stouter construction....but there will be many that you try out and immediately hang back up on the rack simply because it doesn't feel right and isn't for you regardless of how well it is made.
Even the Bronco is not a toy. It does what it does for the money paid. If you like it, you like it...if you don't, you don't.
There are some really good higher priced shorties out there too.
Yes there are....anyone who thinks the Gretsch Thunder Jet is a toy just because it is a shorter scale just has no clue whatsoever.
"That's a sweet looking pair, MS. How is the Dub King in the feedback resistance department? (i.e., loud, outdoor stage conditions)"
Bassfran,
Sorry, but I haven't really played it under those conditions. All I can say from personal experience that it for sure offers a wide range of killer tones indoors at lower and moderate volumes.
This music store demo is pretty representative of a few of them:
And here's one being played in a small venue:
Hope that helps. As always, best thing for you to do is find a dealer in your area and take one for a test drive. I couldn't find one near me so pretty took a leap of faith, but I have not been disappointed thus far.
Bassfran,
Sorry, but I haven't really played it under those conditions. All I can say from personal experience that it for sure offers a wide range of killer tones indoors at lower and moderate volumes.
This music store demo is pretty representative of a few of them:
And here's one being played in a small venue:
Hope that helps. As always, best thing for you to do is find a dealer in your area and take one for a test drive. I couldn't find one near me so pretty took a leap of faith, but I have not been disappointed thus far.
Gaolee
Official leathers tester and crash dummy
I play more scale length instruments than I can keep track of. At this point, going back and forth between them takes a brief moment to adjust, and then it's off to the races. If I actually had time to practice on all of them more, it would be even easier to switch back and forth. At some point, you just get used to adjusting and enjoy each one for what it does, and you don't even think about what it doesn't do.
To my ears, an EB-2d with a Dimarzio One at the neck and half-rounds is an amazing sounding instrument. Put rounds on it and scoop the EQ and it sounds like John Entwhistle. Put flats on it and flatten the EQ and it can be all thumpy and warm. The other 30" scale bass I have kicking around is a no name Japanese hollowbody that's probably a Canora, but I don't know for sure. It has an amazing warm thump to it and sounds great, but different, too. I don't play either one that much, but they sure aren't toys.
To my ears, an EB-2d with a Dimarzio One at the neck and half-rounds is an amazing sounding instrument. Put rounds on it and scoop the EQ and it sounds like John Entwhistle. Put flats on it and flatten the EQ and it can be all thumpy and warm. The other 30" scale bass I have kicking around is a no name Japanese hollowbody that's probably a Canora, but I don't know for sure. It has an amazing warm thump to it and sounds great, but different, too. I don't play either one that much, but they sure aren't toys.
Before I took up bass, I played guitars for thirty years--Strats, Teles, Les Pauls, SGs, acoustic guitars--whatever the song required. I've never understood this attitude that you can play only one kind of neck.
