Ya after seeing that I went straight Cog’s website to order a T-16. Still waiting to pull the trigger though. Need to sell more stuff.Bruh, that COG...drool
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Ya after seeing that I went straight Cog’s website to order a T-16. Still waiting to pull the trigger though. Need to sell more stuff.Bruh, that COG...drool
I have an extremely similar setup, but I love running my Bugcrusher into my filter! Fredric Effects killed it with that reissue.Spammed 3 relevant threads now with this. Lol. This is my last one but it applies
View attachment 3061762
I have an extremely similar setup, but I love running my Bugcrusher into my filter! Fredric Effects killed it with that reissue.
@Blu bro Nice one! What's on the far end of the board? And how do you like the H9? What kind of effects are you running on it?
love both of those for totally different reasons. whats the square board, top pic? and is the bottom board custom?posted already in the tetris-thread but fits here very well:
View attachment 3072710
and here the exact opposite of compact (my guitarists board):
View attachment 3072716
I love these boards... I'm going to build me one of thoseposted already in the tetris-thread but fits here very well:
View attachment 3072710
and here the exact opposite of compact (my guitarists board):
View attachment 3072716
love both of those for totally different reasons. whats the square board, top pic? and is the bottom board custom?
A bit garish for my tastes, though each to their own. It is nicely set out and obviously suits your guitarist
What's the Bugcrusher like?Spammed 3 relevant threads now with this. Lol. This is my last one but it applies
View attachment 3061762
What's the Bugcrusher like?
Sub octave + bit crusher is one of my favourite combos EVER (think Nerve/John Davis). I don't have a BugCrusher myself, I use an Alexander Syntax Error for that (and many other strange(r) things) and it's on almost everytime I hit my T-16 octave. What a killer effect.It’s is a very cool analogue bit crusher. Basically gives you that throaty disorted sound that can really kill in a tune where you’d want to add a drop or just put a lot of grimey top end on a Subbed out octaver.
A bit garish for my tastes, though each to their own. It is nicely set out and obviously suits your guitarist
Is it perspex?