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SHOW YOUR DISTRESSED FINISHES!

I was lucky enough to score a '76 Ampeg B-15N years ago for a decent but not obscene price and everything I own sounds like gold through it. But.., having said that, I briefly owned a Ashdown 550 Spyder which sounded really nice through my Eden 2x10 cab. Unfortunately it failed, and on stage so I sorta' have avoided buying another... maybe it was a fluke, but hitting WCS like that left a bad taste in my mouth for Ashdown.

I saw this post from earlier this year and can update: got the Ashdown repaired after way too long and absolutely love it! Big Ashdown fan - I loved the tone from the start, but it failing so quickly was't very welcomed. I can hope that it was a fluke - and will enjoy it fully!

Here it is atop my '76 B-15 cab with upgraded late 60's JBL speaker - killer combo/stand-in for it's (killer sounding) 30watt tube head! The vintage "Heathkit" badge is an add-on. My 1st bass amp was a Heathkit.

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Will do!

I have a pre aged neck from All Parts and I am going all out gold with an anodised pickguard.

I probably need to have a stab at hardware ageing too.....
That sounds cool. I used to spray slot when I had my old house. Had a booth in the garage but now my guns and compressor languish in my son in law's basement. But I always remember putting them back together how each new piece made it look better and better and just staring at it as I went LOL...I am excited to see yours.
 
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I used nitro spray cans for mine.

Water based stain for the body so whatever popped through would looked aged, white primer to learn how to spray! Then the gold.

Any drips immediately became the relic’d area!

The key to artificial 'relic-ing' is to approximate a real player-worn finish. This is the main reason I started this thread - to create a library of player-worn finishes. Most of what gets posted is Fenders from the 60's, which is understandable for a number of reasons. Thin nitro finishes, much played instruments (as Fenders ultimately were- especially basses), and an acceptance of the look because it showed that it was played - and it felt good not to fuss about it. (a professional tool) If you don't see a version of what you are 'effecting' within the 2,656 posts/133 pages here, it probably needs a survey from page 1 on.
 
The key to artificial 'relic-ing' is to approximate a real player-worn finish. This is the main reason I started this thread - to create a library of player-worn finishes. Most of what gets posted is Fenders from the 60's, which is understandable for a number of reasons. Thin nitro finishes, much played instruments (as Fenders ultimately were- especially basses), and an acceptance of the look because it showed that it was played - and it felt good not to fuss about it. (a professional tool) If you don't see a version of what you are 'effecting' within the 2,656 posts/133 pages here, it probably needs a survey from page 1 on.


Fully agree

I looked at where and how I play the bass, carry it etc, and this wear is specific to what I think I would do
 
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The key to artificial 'relic-ing' is to approximate a real player-worn finish. This is the main reason I started this thread - to create a library of player-worn finishes. Most of what gets posted is Fenders from the 60's, which is understandable for a number of reasons. Thin nitro finishes, much played instruments (as Fenders ultimately were- especially basses), and an acceptance of the look because it showed that it was played - and it felt good not to fuss about it. (a professional tool) If you don't see a version of what you are 'effecting' within the 2,656 posts/133 pages here, it probably needs a survey from page 1 on.

I don't think I have ever thanked you for starting this thread. I use this thread for exactly what you stated. It is a library for studying this type of finish (Relic'd/Distressed). I keep a personal file as well.

Thanks @JIO ... May you continue to Rock my friend!


Moonshine :bassist:
 
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