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I hear you. Building guitars and basses for a living would be a dream job.
I'd be interested in hearing what a staple Hofner pickup would sound like.
Found this somewhere. View attachment 3678305
I feel the same way when I see an Oly white vintage Fender look nearly brown - P-U! (not to mention how it must feel!) 
I bet it sounds like Eartha Kitt or Richard Butler.It's funny how a cig-charred hs was the symbol of a nightclub/bar work-horse/road-warrior. Fender even did a fake version on their Road-Worn basses. At least being in the Bay Area where the ban on smoking in clubs in '95 is now 25 years old - when I see it I just think of a stinky cigarette-ashtray bass.I feel the same way when I see an Oly white vintage Fender look nearly brown - P-U! (not to mention how it must feel!)
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Stinky burnView attachment 3678353
I bet it sounds like Eartha Kitt or Richard Butler.

This warrior has graced the thread many pages ago - a good one for yet another look!![]()
I'll play. This is "Miss Molly", my Darkhorse P-bass:
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Yes, Miss Molly was one of Andy's basses. He is a true artist when it comes to relicing, and this one is just gorgeous. More importantly, it is the best feeling and sounding P-bass I've ever played!Nice! Is this related to Darkhorse here on tb?
That's sexy.I'll play. This is "Miss Molly", my Darkhorse P-bass:
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I played on this LP - recorded on the same strip of old buildings where the legendary bluesmen and women recorded. Odie Payne on drums, Sunnyland Slim on piano, Cary Bell on harp, Steve Beal on rhythm guitar, Eddie on lead guitar. It was a brutally cold Chicago January day that day. Studio was on the sub-par side, we were all in one big old room w/no cans and we couldn't hear Eddies vocals and would have to watch his lips to know when he was singing. The blues.