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SHOW YOUR DISTRESSED FINISHES!

Thanks for sharing these. Both are fine looking basses. The tort guard is amazing with what looks like a soft orange and marron (?) :drool: I saw LIVE about 30 years ago at the Shoreline Amphitheatre but It's been too long to remember what Patrick was playing.

I noticed on the 58 the fretboard wear above the 20th fret. Is that an area you like to play? Up until recently, I always wondered how anyone could create wear on the neck above the 20th fret. I always assumed any fretboard wear would be a result of the fretting hand, however, 2saddleslab and I were talking about this and he mentioned he has the same wear on his 55 and also plays on the neck. I like playing in that area as well when I'm not playing over the pickup. I never analyzed my playing but discovered I do drag my index and middle figures across that area when playing up on the neck.

I do like playing in that area sometimes, anchoring with the thumb near the end of the fingerboard. Particularly on things like slow blues where wanting a fat tone and a little slower bloom to the note - like playing more with the side of the fingers like on double bass. Though that wear was already there when I got that bass.
 
I do like playing in that area sometimes, anchoring with the thumb near the end of the fingerboard. Particularly on things like slow blues where wanting a fat tone and a little slower bloom to the note - like playing more with the side of the fingers like on double bass. Though that wear was already there when I got that bass.
Exactly. That's the perfect description. Somewhere I'd play on a song like Tin Pan Alley.

FCS Dusty Hill tribute bass with post 20th fret wear.

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It's all original, pickguard was original, particularly nice example, typical crack by the jack. It's a '62, which also tracks with it being a tort guard as they generally transitioned from tort to 'green' guards on custom color basses mid '62 (and matching headstocks on Jazz Basses in late '62).

Here's more recent pic stolen from the current owner:

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Looking at how low the neck sits where it meets the guard, I have to suspect it's had some kind of 'ski jump' repair or similar.
This is so cool. I always wondered about his old p basses. Thanks for posting them
 
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This is so cool. I always wondered about his old p basses. Thanks for posting them

Glad I was able to fill in some blanks. I'm curious if he still has the black Jazz. I was surprised he sold those two P Basses through Guitar Center as he certainly knew about vintage guitar stores and could have gotten a lot more. I can only guess he needed quick money for whatever reason.
 
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Glad I was able to fill in some blanks. I'm curious if he still has the black Jazz. I was surprised he sold those two P Basses through Guitar Center as he certainly knew about vintage guitar stores and could have gotten a lot more. I can only guess he needed quick money for whatever reason.
Is the guy who owns them now here on TB? Would love to hear what he has to say about them, or any info he has on them. Thanks again
 
While it's a guitar rather than a bass, this '70 Strat is a good example of the faux woodgrain sunbursts that Fender did. For context, the evolution was that earlier bodies were dipped in yellow stain, sealed (Fullerplast starting in '63) and then the black and red sprayed and then clear-coat. The yellow was from the dye (and the clear would yellow more over time/exposure). In '64 they started using a semi opaque yellowish paint before the black and red - this helped hide more lamination lines and wood flaws). Later still, this moved to white basecoat, sometimes with brushed 'grain' and transparent yellow.

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For the record, I think the first version looks the best by far - but still interesting to see the progression.

Following up on the fauxburst post, here's a good bass example:

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