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Double Bass SICK FUN WITH LYRICS.

And that stunning Charles Mingus composition, DUKE ELLINGTON'S SOUND OF ****!

Why yes, that truly is a very blessed one.....stunning, indeed. I also enjoy, granted not as advanced harmonically or not as near angular, in terms of harmonic voicings (OR in terms of performance, needless to say.) as Mr. Mingus' composition but as equally endearing to me (and mine), "AT LONG, LAST ****!"
What say?
 
Why yes, that truly is a very blessed one.....stunning, indeed. I also enjoy, granted not as advanced harmonically or not as near angular, in terms of harmonic voicings (OR in terms of performance, needless to say.) as Mr. Mingus' composition but as equally endearing to me (and mine), "AT LONG, LAST ****!"
What say?
You know, in most cases of this game, one could substitute sh*t and it would still work....
 
I, then, propose a toast. To the endless malleability of language, given sufficient wit and sensitivity to nuance....chin, chin.

Yes, by all means,....chin, chin.
Might I add that it has been refreshingly pleasurable to have had the opportunity to explore these wonders of our language with one as linguistically astute yerowngoddamnself.
As before.....chin, chin.
 
That's actually Paul McCartney's subtext.

Funny thing, Fred. I was watching the movie Kinsey the other night, and the room where Kinsey is giving a presentation and collapses is none other than the Stanford White rotunda directly upstairs from where the Bronx Symphony played a few weeks ago.

And Ed and Paul, those aren't the only other words you can use, as I'm sure you may have considered. There is another word, a noun which I am not going to further describe, which fits delightfully well into many of these songs, particularly where a noun is called for. Here, here....