look at his ringfinger in the lower regions.....
I don't see anything unusual happening with his ring finger. It appears to me he is using the standard classically-trained double bass technique.
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look at his ringfinger in the lower regions.....
Wouldnt argue with you. My former instructor was a student of Joel Quarrington......IMO, 1234 on upright doesn't fit a human hand. Well, not in the lower positions at least.
I played classical in two orchestras for years using Simandl with no problems hitting the licks, so it does work. You do have to move around more, but hey, you have to practice, ya know.
Maybe you can do a 5 fret reach, because your body is predisposed to do that? OFPF is absolutely your preferred fretting, but it doesn't mean it's everybody's preferred fretting, and not everybody can achieve a 5 fret reach, OFPF or not.You should try it...it's how I can do a 5 fret reach when needed.
I have the smallest hands of any guy I have ever met, and I can do it.Maybe you can do a 5 fret reach, because your body is predisposed to do that? OFPF is absolutely your preferred fretting, but it doesn't mean it's everybody's preferred fretting, and not everybody can achieve a 5 fret reach, OFPF or not.
I have the smallest hands of any guy I have ever met, and I can do it.

I think studying multiple approaches can slow down the linear pace of your development, but over time I believe it can also open up a wider and more holistic view of the instrument and what you and it are capable of. The key of course is you must be dedicated to continuous improvement and actually study and practice.
Eventually the pure concepts of OFPF and Simandl fingering falls away and your own way of playing emerges. You keep what works, cast away what does not, and may even synthesize new ways of thinking about fingering and shifting that further enhances your performance. Unfortunately what works conceptually may exceed what our bodies are capable of, so you also need to build in a gatekeeping logic response that tells you to stop and adjust your technique to prevent damage.
I believe @40Hz says something very similar in this post: Simandl on bass guitar
I didn't say you had big hands. The amount of effective extension you are able to generate is something you can do, but not necessarily others. I can't believe I need to explain this, but there are things in life like joint and ligament structures that are unique to people, and there are other things like propensity to rheumatoid arthritis.I have the smallest hands of any guy I have ever met, and I can do it.
Don’t talk down to me like I’m some kind of idiot and not a 45 year professional unless you’re not interested in discussing this topic.I didn't say you had big hands. The amount of effective extension you are able to generate is something you can do, but not necessarily others. I can't believe I need to explain this, but there are things in life like joint and ligament structures that are unique to people, and there are other things like propensity to rheumatoid arthritis.
This is a very good and very important point. Not just bad, but potentially bad for your health, in some cases.Those saying one method is "right" and the other is "wrong" are giving bad advice.
I’ve never said it’s the answer for everyone. I’m just saying that it’s how I was taught by Dave LaRue, I made it work, and with proper hand positioning, it’s not impossible for MOST. If it’s impossible for you, or you feel more comfortable doing Simandl, fine. I often do Simandl when I don’t need to make a stretch, too. But there are times when it’s been very helpful for me.If we can play bass guitar without stretching we are doing it right.
OFPF is not the best method if you can't reach. Don't force yourself, use Simandl and get the job done safely.
Those saying one method is "right" and the other is "wrong" are giving bad advice. We should be able to use both styles where they are appropriate. I'll use Simandl at the low end of the neck and OFPF in the upper reaches, because that works for me. It's also how I see most other guys playing.
Whatever style is being used keep your hand mobile. Never anchor your thumb and stretch for the note.
I have the smallest hands of any guy I have ever met, and I can do it.