It's good to hear some news about him. All I knew was that he had finished doing basses indefinitely.
If I have to wait 5-10 years for one, I'm OK with that.
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Single Cut Basses Love or Hate?
- Thread starter Maxi Funkl
- Start date
If I have to wait 5-10 years for one, I'm OK with that.
His life has been totally uprooted (wars can do that) but he will be back working on instruments soon - though first as a worker. He definitely plans to restart the business down the road (though guitars are where he has the most demand). I'm glad I have mine! (two, actually)
I'm not into most of Padalkas designs, but THIS!
On topic though: single cut designs are (aesthetically) hit or miss for me. SC designs I like:
Sadowsky single cut
Marleaux MBass
Franz bassguitars Sirius
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But then again there are designs I realy can't seem to like:
Fodera Imperial
Ibanez BTB
Warwick SC Thumb
I played a Warwick Thumb SC at NAMM a few years ago and I loved the look and feel of it. I was surprised at how light and well-balanced it was. You could just tell that it sounded like a million bucks.
Not usually a fan of the looks of these usually but that first one is a beaut! What bass is that??
I don't mind the look.....I don't love or hate 'em, but I tend to stay away from anything that looks like it carries "extra" wood/weight.
I have one custom single cut. The biggest turnoff for TBers would be the weight. Sounds really warm though.
Love me some single cuts. Sorry, no pics to offer.
But if I ever have a custom built for myself, it's gonna be single cut, headless, hollow body, multi scale, just to tick all the boxes that scream no around here.
But if I ever have a custom built for myself, it's gonna be single cut, headless, hollow body, multi scale, just to tick all the boxes that scream no around here.
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I think they look cool and I'd consider buying one next time round; a five or six string. However I'd probably expect to play it sitting down.
I think the design, which IIRC goes back to an Anthony Jackson concept, is interesting. But, I don’t get too excited about novel optical designs which don’t have some kind of technical advantage. Also, my available gigs are increasingly Classic Rock / R&B / Country gigs, which really don’t call for non-FSO designs. I wish my local live club scene was otherwise.
And, I certainly understand the premise for SC’s: to make the B string more well defined.
But, I am increasingly asking myself the questions for newer bass guitar technologies: Can I hear a difference on recordings; can I discriminate that difference; if there is some difference is it better for the mix; and can the audience hear the difference? For my needs, most of the time the answer to most of those is no.
If someone can point me to a recording demonstrating some improvement in performance sound from the SC design, I’d be happy to reconsider.
I remember the 90’s fondly for the wide range of musical styles, which were happening in the clubs; and the explosion of newer bass technologies, which were appropriate for those gigs. That scene was far more dynamic than what we seem to have settled on.
And I recognize that a lot of players are spending their time recording, putting material out on the internet or whatever. Gigs have certainly fragmented into dozens of directions. So, tomorrow, I could have an entirely different perspective.
TL;DR: ATM, I remain not persuaded.
And, I certainly understand the premise for SC’s: to make the B string more well defined.
But, I am increasingly asking myself the questions for newer bass guitar technologies: Can I hear a difference on recordings; can I discriminate that difference; if there is some difference is it better for the mix; and can the audience hear the difference? For my needs, most of the time the answer to most of those is no.
If someone can point me to a recording demonstrating some improvement in performance sound from the SC design, I’d be happy to reconsider.
I remember the 90’s fondly for the wide range of musical styles, which were happening in the clubs; and the explosion of newer bass technologies, which were appropriate for those gigs. That scene was far more dynamic than what we seem to have settled on.
And I recognize that a lot of players are spending their time recording, putting material out on the internet or whatever. Gigs have certainly fragmented into dozens of directions. So, tomorrow, I could have an entirely different perspective.
TL;DR: ATM, I remain not persuaded.
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All good with me except for Les Paul / Telecaster or any other body shape that has the upper strap button up around the 15-16-17th fret. Those don’t balance well on a strap for me.
I don’t own any basses that have the upper body attached to the neck up to the 12th fret area, but I wouldn’t have any reservations about owning one other than physical balance, playability, & tone. I can live with the look of about anything if it’s comfortable to wear on a strap, plays well, and sounds good. I like the looks of most of the basses pictured in this thread; some more than others, but pretty much all would be acceptable to me if it had the characteristics I listed.
If a musical instrument sounds good and plays well, but you don’t like the appearance of the instrument, try looking at it with your ears….
I don’t own any basses that have the upper body attached to the neck up to the 12th fret area, but I wouldn’t have any reservations about owning one other than physical balance, playability, & tone. I can live with the look of about anything if it’s comfortable to wear on a strap, plays well, and sounds good. I like the looks of most of the basses pictured in this thread; some more than others, but pretty much all would be acceptable to me if it had the characteristics I listed.
If a musical instrument sounds good and plays well, but you don’t like the appearance of the instrument, try looking at it with your ears….
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Some are not bad like an LP or Tele style. Those with the goofy long upper bout that runs up to the 12th fret while the lower horn is below the 24th just look weird and off balance to me.
skyline_01
Endorsing artist: Nordstrand Audio, Tsunami Cables
I dig 'em and own one. It's one of the finest basses I've ever played, and my #1.
