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This thread got me curious enough to order a set of the Power Flats to try. I still wish they came in a lighter set (40-100) as at 195.6 lbs. of total tension they might still be a bit too heavy for me even with their not-too-stiff nature as I've been mostly playing 40-100 in rounds.They feel and sound nice with no mud or woolyness especally on the B string. Still very clear tones down low with just the right amount of highs. The mid range is fat and punchy (for a flat) no flub. As I play them I'd consider them a low tension flat, I went up a gauge as this is the only choice they offer and I'm not complaining. These strings are very supple and breath wonderfully when played. I think i have a new favorite lol
Gotta love the purple silk..
I just installed the Power Flats 45-105 on my Ibanez SR-650E. I'm surprised how different the silk looks from the one in the OP's pic.I would call that "deep wine"...
For comparison, a 45-65-85-105 set of Chromes is 196.2 lbs... got me curious enough to order a set of the Power Flats to try ... 195.6 lbs. of total tension ...
Just for comparison...For comparison, a 45-65-85-105 set of Chromes is 196.2 lbs
(they don't sell that combination, so I order them singly)
Me, now! Me!Just for comparison...For comparison, a 45-65-85-105 set of Chromes is 196.2 lbs
(they don't sell that combination, so I order them singly)
GHS Precision Flats 45-65-85-105 = 184.6 lbs.
Ernie Ball Cobalt Flats 45-65-85-105 = 191.0 lbs.
Rotosound Jazz 77 = 45-65-85-105 = 214.41 lbs.
So..............what are your thoughts on the sound, feel, tension and are you still using them? How do you compare them against other flats you've used?
I might try them on my Fortress One with active MEC pickups.....I've sampled SIT PowerFlats many years ago. Very good string, if really stiff. On a Warwick Corvette I used to own, they had a very throaty slap sound and a delicious thump that took the edge off the harshly peaky stock MEC active electronics. Very glad I tried them, but that's when I realized that flats were not for me. But, yeah, I would definitely recommend SIT PowerFlats to anyone looking to experiment with flats.
SIT makes great strings at prices that don't break the bank. They make private label strings for many other brands too. They also have many specialty sets for multiscale basses, perhaps more than other string brands.
The Power Flats were on the SR650E for 4 wks as more of an experiment. The 45-105, tuned to DGCF, were just right for me in terms of overall tension/stiffness, ie comfortable but not floppy; they would probably be a little too heavy for my taste in DGCF. I wish they came in 40-100. The surface feel was just as smooth as flats are supposed to be once they were thoroughly cleaned with an alcohol wipe before installation. One thing I noticed, though, is quite a bit of black marks ended up on the wipe, indicating they weren't totally clean from the factory. This is why I always recommend all flats be cleaned before installation.So..............what are your thoughts on the sound, feel, tension and are you still using them? How do you compare them against other flats you've used?
How do these compare to other flats you've tried? Including (but feel free not to limit it to) Ernie Ball Stainless Steel flatwounds ("Group flats") and Fender 9050s. Thank you.The Power Flats were on the SR650E for 4 wks as more of an experiment. The 45-105, tuned to DGCF, were just right for me in terms of overall tension/stiffness, ie comfortable but not floppy; they would probably be a little too heavy for my taste in DGCF. I wish they came in 40-100. The surface feel was just as smooth as flats are supposed to be once they were thoroughly cleaned with an alcohol wipe before installation. One thing I noticed, though, is quite a bit of black marks ended up on the wipe, indicating they weren't totally clean from the factory. This is why I always recommend all flats be cleaned before installation.
I would consider their tonal quality to be traditional for the most part, but with some added sustain and clarity giving them a semi-modern flavor. The only thing I didn't care for was the .105 tuned down to D tended to be a bit too muddy with a hint of inharmonicity higher up the neck. The A-D-E sounded great, though.
I do have them saved and securely stashed away for now, but the only problem is, due to the 2+2 headstock on the Ibanez they were tried on, I won't be able to try them on any of my Fenders.
It's hard for me to compare the three for their tonal characters because I tried them on three different basses. Fender on J, EB on P and SIT on Ibanez PJ. The SIT 45-105 worked well enough for the DGCF tuning by being "comfortable but not floppy". And they did have enough of the midrange clarity even down-tuned. The surface feel is pleasantly smooth with a silky feel once cleaned.How do these compare to other flats you've tried? Including (but feel free not to limit it to) Ernie Ball Stainless Steel flatwounds ("Group flats") and Fender 9050s. Thank you.