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So what's the stereotypical "Dad" amp?

52, father of 2 and this is my Dad amp:

FFDE148A-7768-4D8F-8EC5-6E4414B3ABC0.jpeg
 
Erm... in my late 40s, I'm pretty sure I'm one of the younger ones here, and I definitely fall into the "more gear than skill" category. Also pretty sure there's a lot of self-reference/teasing going on here. I'm definitely in the mosh-pit rather than the peanut gallery: career's good, ready to retire early... wait, classic rock died in the meantime? Well, dang.

But you're right: some seem to be taking it a lot more seriously than it's intended.

psst - dad-bands start a lot younger than 60. You may already be among us :p

I'm part of an even older set of players here I think and I see the Dad's of kids in my nephew's class who were born in the 80's as doing Dad Bands.
So here's my take on it, if your key chain looks like this you have out aged the Dad Band Classification
keychain.jpg
 
Regular dad: Fender Rumble or a 15-year-old Ampeg with a 410

Talkbass-chic dad: Mesa or Bergantino

I like that idea, and I'll nominate myself in both those categories.

Regular Dad amps: Fender Rumble 100 and 1967 Fender blackface Bassman (hey, if you've owned one since 1967, you're definitely in dad territory.)

Talkbass-Chic Dad: Genz-Benz Shuttle 6.2

Yep.
Regular: GK 400RB 210 Combo I've owned since new. Fender Rumble 100 under my desk. (I've also owned a '63 Bandmaster since '67 but that ain't bass!)
Chic (ish): Mesa M6 or D800 Head w/ 2 115 GK NEOs
 
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I posted this in the other thread.


The modern Dad amp is any black 3lb 800w Class D microhead with a tiny 112 cabinet, because he "doesn't need all those knobs" and "doesn't know how to set a graphic eq." He boasts it is the "tone he always wanted" and "the last amp he will ever need" until a certain company comes out with a new Class D less than a year later that has a "bloomier" sound. Then, he will promptly attempt to sell the old version, seemingly suddenly completely unloved, here on Talkbass.

He always talks about how he loves that "sweet tube amp overdrive grind" yet uses the most sterile clean tone possible, turns the master all the way up to use the input gain as a volume control, and absolutely does not touch any of those other knobs because "tone is in your hands."

He "sets everything at 12 noon" (regardless if those settings are actually flat or not-the knobs must be straight up and down!) and "has FOH support anyway" and absolutely won't carry anything that doesn't fit in his gigbag, cords and pedals and amps and all. One trip, car to club, that's it!!!

He also has the most bland, invisible, boring, generic, worthless bass tone that no one will notice, hear, or care about.

That's a Dad amp.



:roflmao:

and That is pretty spot on!
 
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