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Something quirky (new rotosound 66's)

I've got a reasonably dead set on a P bass at the moment which still sound fine but for context, I was playing about 10 years before I ever heard a bass player talk about changing strings. No-one I knew ever did and it was never spoken of. The trend then was Picato black nylons, every where you looked but particularly on EB3's which were also everywhere in the early mid 70's.

Today, I tend to keep them on 1-2 years and a couple of basses are stretching past the 2 year mark but still sound ok for the tone I like, for now.
 
Minute adjustments to your pickup height can have a significant effect on your final sound. A weird fluttery or other odd sound isn’t uncommon if the pickup is too close to the string. Guitarists who use a wound G run into this every so often and need to adjust their neck pup accordingly.

Rotos are also strings that seem to provoke excessive reactions, both pro con, from some players. I’ve been using them since the early 70s and I think they sound great on certain basses and not so hot on others. Like every other roundwound they’re just a string with its own sound and feel. No more, no less.

In my case, I find them overly zingy for the first hour or so after they’ve been put on. But they do settle down into something I consider more playable after a few hours. Still, I prefer their sound after they’ve dulled down a bit more. Depending on how much I play them, I can usually get 4-6 months out of a set before I feel the need to replace them.

Bottom line: Rotosounds are just one more option when shopping for strings.
 
I've got a reasonably dead set on a P bass at the moment which still sound fine but for context, I was playing about 10 years before I ever heard a bass player talk about changing strings. No-one I knew ever did and it was never spoken of. The trend then was Picato black nylons, every where you looked but particularly on EB3's which were also everywhere in the early mid 70's.

Today, I tend to keep them on 1-2 years and a couple of basses are stretching past the 2 year mark but still sound ok for the tone I like, for now.
I used Picato RW’s in the 70’s
 
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Sweet! That is exactly what I am hoping for. I've got a set waiting to go on my L-1000.

BTW - I gave up on Roto 66 back in the 90's at some point when it seemed to me that their quality went downhill.

DR Hi beams are high quality but they have a looser lower tension feel than Rotos. There are smoother and easier on the frets and fingers but they are bright and aggressive sounding. The Lo Riders are hex core so have a stiffer feel but not quite as bright as Hi Beams. Like I said the Fat Beams are my favorite. A nice happy medium for me.
 
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I almost always hate my first gig with them. By the second gig on, they’re great.

I have three basses that have Roto 66’s - USA Precision with a Fralin pickup, EBMM Stingray V and a Ric 4003 with a Nordenbocker in the neck / Bartolini in the bridge. From that second gig on, they’re fantastic.
 
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And Ampeg still makes the SVT

:)


Good point! If you want an ultra reliable lightweight SVT then the Tech21 VT Bass 1969 bass head does all that and more, but it isn't the classic amp that launched a thousand bands. And it doesn't say Ampeg on the front. And will it really sound the same as a squadron of valves working hard?

People still want the real things, and I don't know of a more 'shelf stable' roundwound that does exactly what the Rotosounds do.
 
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I feel like rotosound rounds are good on certain basses. Like if you want a bass with strong lows to get way more highs, but sometimes they tend to have a bit too much highs for my tastes on certain basses.

They do change day to day more than most I’ve noticed also. I think they’re a bit more pliable than most, but that’s part of the charm. It’s a good string for blasting out lots of highs.

I just took mine off after a year of using them (RIP Andy Rourke) on one of my mains. I feel like chromes actually suit this bass much more because it needed a fundamental boost and slightly more tension (they’re superlights) than it needed lots of pliable highs.
 
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Roto 66’s are my favorite round. So why don’t I use them? Unfortunately they are too low tension and floppy for me. I have to jack my action up uncomfortably high to use a pick and not get fret buzz. And I play with a light touch.

My ideal set for stiffness would probably be 110, 85, 65, 45. That would require me to buy 3 different packs to combine those gauges together.

Too bad Rotosound doesn’t sell singles. At least that I know of.
 
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Roto 66’s are my favorite round. So why don’t I use them? Unfortunately they are too low tension and floppy for me. I have to jack my action up uncomfortably high to use a pick and not get fret buzz. And I play with a light touch.

My ideal set for stiffness would probably be 110, 85, 65, 45. That would require me to buy 3 different packs to combine those gauges together.

Too bad Rotosound doesn’t sell singles. At least that I know of.

There are sites that do singles. JustStrings and I bet Fret Nation would.
 
I played Rotos exclusively from 1984 until the mid 90's. Playing 6 nights a week, 50% of it being slap and having a Kahler, they lasted me about a week. If I tried to go longer they'd start breaking. I took my strings off, washed them and put them back on daily, and also learned with Rotos that it was better for me to wash them right out of the package before putting them on the first time. Seemed like there was some residue from the manufacturing process that would act like a dirt magnet and they'd start sounding noticeably deader after the first couple sets if I didn't. Even though I kept a towel on stage and washed my hands at the end of every break, I was very active on stage and sang a lot of lead and backup on most of the other songs, so they got really sweaty every night. Also, everyone was still smoking in the bars at that point. Toward the end their quality control really seemed to take a dive. This was on the road in the early 90's, so no idea how long some of the sets had sat on the store shelves before I bought them, but eventually it seemed as though every other set I was getting was dead out of the package, even after I started getting them mail order. I was such a die-hard Roto lover, I kept hoping they'd come back around, but no luck. I hung in there longer than I should have, but I ended up switching to DR High-Beams which were great from the get-go and still are for me.
 
I had the same issue with Roto 77 flats a couple of years ago...I never bought them again...I am more demanding in my older age and want instant gratification...The roto 66 rounds were my go to in the late 60's and 70's!
 
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27507017[/URL], member: 112877"]Worst string on the market. They eat frets like no other. I stopped using them 40 years ago.

I wasn’t around 40 years ago (almost!), but have read fret material used on some vintage basses were softer back then, particularly Ricks, and Rotos would eat those up.

I don’t think that is an issue anymore.
 
I can remember many (many) years ago putting a set of Roto 66's on my Rick and literally listening to the character of the tone change from "zingy" to "thumpy" over the course of an hour or so while I was playing it.


I’ve never experienced their zingy, fresh out of the package tone change that quickly, but I don’t doubt that they could.

I would say on average, for me, their brand new sound would last maybe 3 to 4 rehearsals.

That was back in the late 70’s/early 80’s. I also played a Rickenbacker. I was a HUGE fan of Chris Squire, Geddy Lee, Mike Rutherford, etc. and when that brand new sound “disappeared”, I would be very bummed out.

I stopped using them in the early 80’s. But a Rotosound Swing Bass 66’s thread on this forum inspired me to try them again. And I’m really digging their sound on my P-Bass.

For me, SB66’s on a P-Bass is such an iconic tone. And luckily for me, these days I prefer their “Broken-In” sound.
 
…..People still want the real things, and I don't know of a more 'shelf stable' roundwound that does exactly what the Rotosounds do.

I agree 100%. I find SB66’s to have a very unique tone. IMO they have an overall rawness and a boosted upper midrange sound that I haven’t found any other brand of roundwounds.
 
I agree 100%. I find SB66’s to have a very unique tone. IMO they have an overall rawness and a boosted upper midrange sound that I haven’t found any other brand of roundwounds.


Raw is the word! Sorta agricultural. I've always thought the fundamental of these strings was slightly detuned sounding, so you get a bright grinding tone over quite a smeared low-mids tone with a notch in the middle.
 
Roto 66’s are my favorite round. So why don’t I use them? Unfortunately they are too low tension and floppy for me. I have to jack my action up uncomfortably high to use a pick and not get fret buzz. And I play with a light touch.

My ideal set for stiffness would probably be 110, 85, 65, 45. That would require me to buy 3 different packs to combine those gauges together.

Too bad Rotosound doesn’t sell singles. At least that I know of.
The first guitar shop I traded with had this wooden box from Rotosound that had different gauges of bass strings indexed. You could pick and buy separate strings in various gauges. It was the 70s

:)
 
I also played Roto 66s for probably 25 years then it seemed liked the E strings were going dead rather fast, I thought ide try something different so I went to DR high beams and also tried the low riders. They seem to be a bit easier on my fingers and just seem to last a damn long time, I threw a set of rotosounds on one of my basses a few weeks ago and could definitely feel it on my fingers.