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Song medley/blending ideas??? please share

Back in the 80's we did a 'Dance Medley'

Every song was a 'dance' except the first one, which the
singer insisted on, hey everybody gets something they
need ... All segued together. We liked the nonstop music
thing.

Glory Days > Dancin' in the Dark, Dancing in the Street,
Harlem Shuffle > Dance Little Sister, Dance.

Harlem Shuffle had a very interesting Am7 to Bb feel, then
modulated up to Bbm7 to B in the second half of the song.

We took the outro in C, C#m to Dm and resolved into an
A to start the last song.

A lot depends on the song selection, and how fluid and
natural the segue is.

We actually wrote a full intro and outro that reprised all the
segues and that really demanded that the naturalness and
fluidity be there, everyone be on time perfectly, that the
rhythm section lead the charge.

It was fun to do.
 
Here's a cool medley that we did a bunch.

Give it to me (Rick James) into Billie Jean into Long train Runnin (Doobie Brothers).

There's a really cool wat to transition into billie jean....we had a guitar solo at the end and did you ever notice that the Give it to me bassline is really close to Thriller...well he had the guitar player quote thriller at the end of his solo to lead into billie jean...people went freakin nuts every time we did it.
 
cheezewiz said:
All cool ideas, but as a previous poster said, doing more than one or two a night gets lame really quick.

Really depends on the type of band, and gig you are doing, but for the most part I have to disagree. If you are doing any kind of music in hopes of filling a dance floor, I am sure you will notice keeping them up there is even more of a challenge than getting them up there in the first place. Most of the time, they are leaving the floor before the song they got up to dance to is even over. This is where the medleys are nice....hit them with another before they even get the chance to go sit down. After you have them up for 4-5 straight, entertaining them the rest of the night is a breeze.
 
DrewBud said:
Here's a cool medley that we did a bunch.

Give it to me (Rick James) into Billie Jean into Long train Runnin (Doobie Brothers).

There's a really cool wat to transition into billie jean....we had a guitar solo at the end and did you ever notice that the Give it to me bassline is really close to Thriller...well he had the guitar player quote thriller at the end of his solo to lead into billie jean...people went freakin nuts every time we did it.

You MJ'ed them into a fugue state? That's great!
 
Hmm... a couple my last band did that worked great...

"Nowhere To Run" (Martha & The Vandellas) into "Cover Me" (Bruce Springsteen)

"Life In The Fast Lane" (Eagles) to "Give Up The Funk (P-Funk) to "Thank You (Falletine Me Be Mice Elf, Again)" (Sly & The Family Stone)

"Why Does Love Got To Be So Sad" (Derek & The Dominoes) to "Dear Mr. Fantasy" (Traffic)

"Pinball Wizard" (The Who) to "Magical Mystery Tour" (The Beatles)

"Cry Baby" into "Piece of My Heart" both by Janis Joplin

John
 
If you are into pleasing the average crowd, you need a late 70s disco/funk medley. Think KC and The Sunshine Band, Earth Wind And Fire, Commodores, Rick James, Average White Band, etc. This will get ALL of the women on the floor and many of the drunk men. Guaranteed.

Big +1. Folks *love* to dance for 15 min straight, so if you can morph 3 or 4 tunes together, it's very fun. Lord knows I never, EVER listen to Disco, but playing it is da bomb!
 
Flame suit ready....

So, lately I've been playing some acoustic sets here and there. I'm trying to work on my vocals and songwriting. One medley that I do occasionally is:

Justin Bieber-Baby > beautiful girls - sean kingston > stand by me - ben e. King?(i think)