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What are your guys thoughts on some of these odd sigs? Do you think that most bands even figure out the specific time they're in or it's just a "feel" thing on some of these weird times sigs? I have a hard time imagining a band leader saying now let's go to 23/16 than 11/3. I would think for practical purposes these would be almost impossible to count, I think most probably just memorize the pulse.

i know he's a drummer BUT;
wikipedia reckons that danny carey from tool "tries to drum to the "feel" of the song and establish general "inner pulse" for the given time signature instead of fully counting it out."
if it works for danny carey...![]()
Blue Rondo Ala Turk (6/8, 3/8)- 12 12 12 123 12 12 12 123
Honestly, most alternate time signatures are usually just combinations of 2, 3, or 4...
so even a 23/16 or something odd like that will eventually break down into groups of 2, 3, or 4
how could i forget hella!?
cheer-accident as well.
Actually 9/8, and based on a Turkish rhythm (hence the name) called Karshilama.
It's a dance.
And for fun, remember the Mexican Restaurant 11/8:
Ta-co Ta-co Burr-i-to En-chi La-da (2-2-3-2-2)
What are your guys thoughts on some of these odd sigs? Do you think that most bands even figure out the specific time they're in or it's just a "feel" thing on some of these weird times sigs? I have a hard time imagining a band leader saying now let's go to 23/16 than 11/3. I would think for practical purposes these would be almost impossible to count, I think most probably just memorize the pulse.
I honestly feel this song is in 3/4 but with notes played on odd beats and heavily syncopated. But that's just me.
I met him in the toilets at a pub once (during the Aussie press for 10,000 Days) and asked him this exact question. It's true, he doesn't count at all!i know he's a drummer BUT;
wikipedia reckons that danny carey from tool "tries to drum to the "feel" of the song and establish general "inner pulse" for the given time signature instead of fully counting it out."
if it works for danny carey...![]()
I've always been a fan of Rush's songs in 7/8 time.
Limelight
Red Barchetta
YYZ
Subdivisions (chorus in 6/8)
The Trees (the bridge portion)
etc. etc. etc....
Plus my band does a lot of weird time signatures, 6/8, 7/8, 3/4, etc.
As noted before , Meshuggah.
I studied a piece by Brian Ferneyhough once that was in 4/12- that almost caused a riot in the DB theory section when I posted that.
And finally, some shameless self promotion- my band's tune "The Scaven Cleaver" has a 22/8 breakdown in the middle with a 4/4 polyrhythm. Link Removed