The tracking is the main thing. Without that it doesn’t matter what it sounds like. I tried some cool stuff at NAMM this year but most of it was not tracking well, so they become noisy glitch boxes. I know Nathan was claiming the Spectrum wasn’t tracking as good as it will be once finished but it still tracked WAY better than any other synth I heard this week.
That being said, the thickness and quality of the sound was leaps and bounds beyond expectations. The second tone Nathan had was such a huge blown away moment for me, I was smiling behind the camera. It doesn’t quite come through as think as I heard it, but I had to high pass the video a bit to get rid of the room noise rumble, so it only sounds better in person, not the other way around.