I'd like to thank everybody for kind words.
Here is the second part with the pictures...
You could have asked why I called it Horus Bass?
Actually it's nothing to do with this Ancient Egyptian God. But as I started the project and it would be a full custom one, I wanted to incorporate all my crazy ideas... Sometimes I had to step back (see the 7 string bass idea as I mentioned in the first post) due to some limitations, and sometimes I changed my mind as it wouldn't be wise to put everything in one bass (after wise words of Melvyne Hiscock in his book
Make Your Own Electric Guitar). You could see that the place for the seventh tuning peg was already there in the headstock design at the left side:
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Back to my question, well I wanted to have a theme for this bass. Being interested in ancient Egyptian Mythology, I decided to name this bass after the God of goodness and skies: Horus. Had the Horus Eye inlay at the 12th fret and a Horus figure in the headstock that you may see in the picture above. That Horus figure, if looked closely (I tried to take a picture but could not succeed it) got a F (bass) key on his head beside the crown of High Egypt and Low Egypt.
More to this, it added the Spinal Tap flavor to the bass

What's the relation of a bass and a poor Egyptian God?
Some ideas that I left, include, a master volume knob marked 0 to 11

(really, but after I thought that more writings, numbers etc. could ruin the general theme of the bass)
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I'm thinking to have in the future a twin sister or a flying V style bass called Seth, after the Egyptian God of Evil and the underworld/soil.
And I can go to have basses named after Egyptian Gods as ancient Egyptian Mythology have more gods than the women that Gene Simmons has slept with
Just a joke no offense to Ancient Egyptian Culture that I like...
Back to the pictures, here is the back of the bass showing the wenge/maple neck and alder body wings:
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I insisted to have that heel (or whatever it is called) at the place where headstock meets the neck:
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The neck is super fast being thin. The ebony (left natural, without those ebony darkening dyes) fretboard has a thickness of 4 mm (0.157"). 24 frets.
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The neck depth (I mean the distance from the surface of the fretboard 'till the back of neck) is 21 mm (0.826") at the first fret and 22 mm (0.866") at the 12th fret. The scale length is 34". And now it's tuned BEADGC, sometimes I drop low B to A and IMHO it still sounds good.
The headstock has got a thicker wenge part:
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More to come....