Ok, so not so useful for guitar players pushing cones into distortion, or enthusiastic bassists doing same. You're saying it only models linear cone response?
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These boxes are not loads they just work off the speaker output with a voltage divider to give you a padded down line level output of the power section of an amp. The amp must be connected to an actual speaker or load otherwise you will damage your amp. There is also little point with these boxes unless you are using a tube amp.
I think it is a TRS balanced output however.No XLR direct out, though, which is a bummer.
I think it is a TRS balanced output however.
The "headphone" output is mono. Alas it is hardwired to the post-effect output. This means no software upgrade can implement a pre-/post- switching capability for that output for those that would want to use it to run a dry signal direct to a stage amp. That would have to be done with an external splitter before the device.

If it can't mimic bass 10's and guitar 12's getting pushed past xmax it's not going to sell half as well.
... and if it does it we can sell it for twice as much!If it can't mimic bass 10's and guitar 12's getting pushed past xmax it's not going to sell half as well.

Yeah, I'm not big on overdriven cab sounds either, plenty are though.
The chances of anything coming out just for bass is remote, but guitar 12's distortion is stock in trade. Cross fingers and toes.
Still need smarter simulation to do it properly.
The torpedo does exactly that.
It just lacks (for me) an xlr in/out and an adjustable hp filter.