• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

SPECTOR® Club - Part 27

Status
Not open for further replies.
I know I always seem to jump to defend Alex Webster so I am sure everyone was expecting me to reply :) All I have to say is watch this video:

Cannibal Corpse - Frantic Disembowelment (Guitar, Bass & Dru - YouTube

There are no vocals in it since it was from the studio but I only wish I could have a fraction of the talent this guy has. Death Metal is not for everyone but there some seriously talented musicians that play that type of music so I will always give them the props they deserve.

Umm, Alex friggin rules lol.
Also considering he's the main songwriter/arranger/lyricist for CC as well, that's a lot of work.
The Blotted Science stuff is just ridiculous as well. Why bassists in general are so butthurdt over metal is beyond me. Bassists "in general" aren't major songwriters anyway, which is why most of the time on TB I lulz at "crappy song" comments anyway. I used to do that when I was younger (and more ignorant ;)) which is why I bought my own dang guitar and started putting up instead of just talking noise bc I wasn't contributing. If putting together 3 chords and a minor and having a large to huge number of people like it were "that easy", everyone would do it.
I was actually thinking of which bass I'd get if we were to ever do any kind of touring and it's prob the A.W. sig! Definitely not taking Brownie on any kind of overnighters. ;)
 
rockstarbassist said:
Umm, Alex friggin rules lol.
Also considering he's the main songwriter/arranger/lyricist for CC as well, that's a lot of work.
The Blotted Science stuff is just ridiculous as well. Why bassists in general are so butthurdt over metal is beyond me. Bassists "in general" aren't major songwriters anyway, which is why most of the time on TB I lulz at "crappy song" comments anyway. I used to do that when I was younger (and more ignorant ;)) which is why I bought my own dang guitar and started putting up instead of just talking noise bc I wasn't contributing. If putting together 3 chords and a minor and having a large to huge number of people like it were "that easy", everyone would do it.
I was actually thinking of which bass I'd get if we were to ever do any kind of touring and it's prob the A.W. sig! Definitely not taking Brownie on any kind of overnighters. ;)

+1 ill take mine with a tone pump though!
 
I'd take any of my Forte's but if I had a showcase bass like the WCR NS-4/5...that probably would only go to my church band, out of the house.

I play Brownie around town at all our local gigs, but that bass is NEVER, ever out of eyesight or far away enough to not chase after a fool and knocking them out cold for even looking at her wrong lol.
 
I'd take any of my Forte's but if I had a showcase bass like the WCR NS-4/5...that probably would only go to my church band, out of the house.

I keep a sharp eye on my dougie, problem is I don't want to play anything else though. :scowl:

Really interested in what the USA dougie neck profile is like. Never seen one though. If has the flat spot in the back that might be even better if that's possible.
 
I keep a sharp eye on my dougie, problem is I don't want to play anything else though. :scowl:

Really interested in what the USA dougie neck profile is like. Never seen one though. If has the flat spot in the back that might be even better if that's possible.

It's not hard to watch my stuff close around here, especially with Spectors. Not that many floating around out here....I can only think of two guys who play them, and one of them is kind of a part-timer fill in type of player these days, and no one sure has a green 5LX.
 
I actually looked at the II-Pre and the original II's a few years back, the non-Pro version. The pre was part of the 90's Rex sound for sure.

Yeah I have the 2 non pro pre and I love it. That and my old hartke 3500 ( backup head now) 2 best heads I have ever used. I prefer the svt2 pre though. I found I like to run one of the main outs of the pre through a DI to FOH instead of just a Di on the bass. I like to know the tone comming out of the cab is what the sound man is getting, rather than a pre EQ signal.

Been thinking lately though, what do I need a cab for? I still like to give em some power from the stage though I guess :bassist:
 
this is the one i have:
 

Attachments

  • svtIIP.jpeg
    svtIIP.jpeg
    25.6 KB · Views: 57
Nope, just my Bergantino blew it out of the water!....I hold Bergantino cabs as high for a cab as I do Spector for bass...When I don't like something I sell it screw the money invested...I want it out of my face...money comes and goes and I don't sweat money...If I want something out of my face I do it! :bassist:
Any time you want to lose money on some gear let me know brotha!! :hiding:
Way cool!


Excellent0!!...awesome pic, a Spector, a bass stack and a Donny!! :bassist:

Thanks guys
there are some more pics at Link Removed
Niceness! I feel like a proud poppa:) Dont forget to wipe the bridge down with a little light weight machine oil once in a while. Keeps corrosion away.
is a little corrosion a bad thing? That bridge is soo pretty, I'l be keeping it up.
+1

wd-40 and a q tip works wonders. An old toothbrush works great too.

all my toothbrushes are old..... hah
 
So Grendle, you have the SVP-pro?? I am looking at the whole component amp setup and I am looking into this pre (the one with the blue writing on it). What are your thoughts on it?

I've never played the pro, but i use mine kind of like a pro version. there's a master and a gain on that one i believe. I use the volume on the pre like a gain and the volume on the power amp like a master so it works for me. I also don't like any distortion so I can balance the preamp volume and master volume pretty well with my setup. A lot of guys who like the pro lie it for the gain control so they can get that grit at lower volume levels than with the non pro. Either way it's not an issue for me.

The svt2's have more low end than the other ampeg stuff I've played. It's a different low end than i'm used to also. It doesn't get boomy, it just gets "thicker" if that makes any sense. The low boost on the tone pump is centered lower than the head also so if i want more really low lows I just turn that up. You really don't want all those lows that sound good in the bedroom live or in a band setting anyway though, it just turns to boom and mud through the FOH. Took some time to learn that. Those mids (low and hi) are where it's at. But your still gonna feel it :D :bassist: :cool:
 
Status
Not open for further replies.

Latest posts