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SPECTOR® Club - Part 45

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So my new to me Spector Forte 5 arrived this afternoon..... My first Spector.

Wow! What an amazing bass. Perfect craftsmenship and plays like a dream! I can see what the fuss is about!

Welcome to the wonderful world of joyfully irrational SAS :p.

Seriously though, show us some pics. Who did you get it off of? What's the preamp? What are you running it through? We're all going to ask you this stuff, so I'm just getting it out of the way.

Welcome to our madness. Great people and great basses.
 
Nino is a great guy and builder! He's a Spector fan as well. Always figured I'd go to him if I ever decided on getting a Pbass.

+1 Nino is one of the nicest people I know. A wonderfully talented builder too. I want one of his Modern 24 5 string basses quite badly. Not as much as a USA 5 or custom Forte 5 build, but for a different take on the "modern classic" bass tone that I'm into right now with the Spectors, I'd really like to have one of his creations.

Nino was my first choice when looking into a custom Jazz. I wanted an alder bodied maple neck/fb with Nordstrand DC's and a passive circuit with a 35 inch scale. Nino said that's no problem and the price was right. I've owned two of his basses in the past. They were nice, but not exactly what I wanted to I ordered one.

Then, this Coda 5 came along and I had to get it. I think they will be a nice pair together. :)

Congrats on the sweet Coda. for what it's worth, I recently installed a Babicz bridge on a P bass and it's a really nice bridge. Kind of fun to do the set up and adjustments, to too. Great design. If you are a pick player and like low action, the palm muting from resting on the bridge takes a little adjusting to, but I really like that bridge.

Thank man!
 
Very cool, mine's got the same finish. Same year too, actually. Amazing basses, aren't they? :bassist:

Hey CJ, I'm trying to find out the body wood. It doesn't look or sound like Basswood like all the newer ones. I've read that they were Maple bodies made around this time also. Mine is apparently a 2010, bought 12/09. The strings are original and the bass has about 12 hrs on it.
So I'm looking for answers to the body-wood question and what strings did they use for this model from factory?
Thanks anyone?
I'm really impressed with this bass.
They say there is a Spector for everyone. I believe it. The tone and neck are perfect for my ear and playstyle.
 
Hey CJ, I'm trying to find out the body wood. It doesn't look or sound like Basswood like all the newer ones. I've read that they were Maple bodies made around this time also. Mine is apparently a 2010, bought 12/09. The strings are original and the bass has about 12 hrs on it.
So I'm looking for answers to the body-wood question and what strings did they use for this model from factory?
Thanks anyone?
I'm really impressed with this bass.
They say there is a Spector for everyone. I believe it. The tone and neck are perfect for my ear and playstyle.

From what I understand, the older Legends had basswood bodies with maple caps. The newer Legends have the maple bodies.
 
Nice! Man you have a nice tone chain going on there.

NAD for me too. Picked up another GK 800RB. I'm such a tool for those dinosaurs. You want to talk about an amp that "goes well" with the classic NS 2 tone? Fuggetaboutit. SUB lime.

yeah I keep seeing old 400RB's up for sale and I think about picking one up for my small amp. I had one back in the late 80's I should have kept. Great old amps.
 
xhawk5 said:
Hey CJ, I'm trying to find out the body wood. It doesn't look or sound like Basswood like all the newer ones. I've read that they were Maple bodies made around this time also. Mine is apparently a 2010, bought 12/09. The strings are original and the bass has about 12 hrs on it.
So I'm looking for answers to the body-wood question and what strings did they use for this model from factory?
Thanks anyone?
I'm really impressed with this bass.
They say there is a Spector for everyone. I believe it. The tone and neck are perfect for my ear and playstyle.

Sorry I didn't respond till I got your pm s little while ago, but between my response and the people here I assume you've gotten your answer. Part of what makes owning a Spector awesome is the large wealth of knowledge shared on this board.
One thing I forgot to address in my PM is the strings- I for know what comes from the Korean factory- but I replaced them with my standard D'addario nickels soon after I got it- but that's just my personal preference. The stock ones sounded fine. I've also got elixirs on my 6 string and I dig that sound as well- its slightly mellower, but that works for me since I'm mostly using that bass for jazz. It also has a bubinga top, which may or may not be a factor.
 
Played the Coda 5 tonight through my rig. Carvin B800 into a custom made Bill Fitzmaurice Jack 210. Incredible. I love this bass.

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Yup. That's the one.

I am on vacation, but pics to come.

I can't put this thing down. Been a while since I have been so pumped about a bass. I have a MTD USA coming as well in a couple of days.... Shaping up to be a great bass week!

Ah! Congratulations though man. I loved the look and sound of it immensely, but my big palm/short-fingered hands couldn't handle the neck and the weight was a bit much for me. But it's beautifully grained on those wings - pictures won't do it justice, IMO. And yeah dude, that's an insane NBW! That's gonna be awesome.
 
This was advice for my Kramer, can't wait to clean it up a bit, thanks for the advice Patrick!

It's kind of cool, the original sales receipt was in the case, bought by a girl named Martha from Wray Music House in Lemoyne, PA in May of 1992. She financed it, and with tax and the finance charge paid $3.06 less than I paid for it.

No kidding?!?! There for Spectors are a great investment!
 
This is a good strategy... but... be careful. You'll want to measure the three screw-holes in your old USA Spector bridge before ordering a new one.

Sometimes the screw holes can be slightly different.

There's nothing wrong with replacing the original hardware and keeping it aside so that if you ever want to sell your bass you can put the original stuff back on it. You do take the chance of loosing something that way. And that would be unfortunate.

But I sort of look at it like these older basses have been on a journey through time. And the hardware that's on them has been with them (if all original) since they left the Spector workshop (Brooklyn, Neptune, Saugerties) and therefore you should keep that hardware so that the body and the hardware continue to age together.

Every ding, every scratch, the pitting and patina of time... these are all things that are specific to each bass on it's journey. Stuart builds these basses to last a lifetime or greater. And 100 years from now who knows how many Spectors from the 1970's to now will still be out there making music. There are classical instruments that are several hundred years old played today. So it's totally possible.

And therefore to me, the hardware and parts of the bass in time are part of the bass no different from the very wood it is made from. And all of it... all of the parts that make a hand-made Spector should travel through time together.

Especially if it's a old Woodstock or Kramer era NS-2/5!
I agree, it's a passage of time for these beautiful instruments.
 
This just came up.

Someone contacted me and asked me what they needed to use to clean their vintage Kramer NS-2's bridge with.

And to make sure I told them the right thing, I called Stuart and asked him.

First, Stuart says that the Kramer and Brooklyn Era bridges have a very thin 18K gold electroplate on them.

So NOTHING abrasive or chemical. You don't want to rub through that coat and get to the brass underneath because then you'll really have some issues. Brass oxidizes quickly. So that electroplate protects the brass underneath.

He says to use something really soft, preferably a micro-fiber cloth that won't scratch (like what you'd clean eye-glasses with) and then use just a little amount of water.

That's it.

Pitting, discoloration, tarnishing... these things have to do with either imperfections in the original electroplate or the eventual wearing off or perhaps a scratch, etc... that happens in time.

Look to clean off gunk or dirt, but don't look to restore the bridge, you're not going to remove pitting or any tarnishing. And that's OK. An old vintage bass should have this sort of "road worn" stuff.

Lastly I was asked if they should replace the bridge and I say "ABSOLUTELY DO NOT" unless the bridge is damaged and the bass is not useable, NEVER replace original parts from a vintage Spector just because they don't "look" good.

If you want a new bass... get one. But these vintage/classic USA Spectors are getting more rare with time and the more original they are the better their value.

A vintage Spector with a new bridge, new tuners and a refinish is NOT a vintage Spector anymore.

You can protect a vintage gloss finished Spector with the Dunlop Formula 65 products. And I highly recommend the Dunlop Fingerboard cleaner/conditioner products to maintain the health of the fingerboard of your bass.

Totally agree!!!....Some people replace the 9 volt, the bridge, tuners and brass nut....WHY????

The only thing i'm guilty of is replacing 1 tuner for the drop tuner I still possess the original tuner(Blue). The other (orange) came with drop tuner......Stuart told me if I wanted new to get one so I told him , ok I will order a Black NS2 ,..J/k....:bassist::bassist::bassist:
 
This is a good strategy... but... be careful. You'll want to measure the three screw-holes in your old USA Spector bridge before ordering a new one.

Sometimes the screw holes can be slightly different.

There's nothing wrong with replacing the original hardware and keeping it aside so that if you ever want to sell your bass you can put the original stuff back on it. You do take the chance of loosing something that way. And that would be unfortunate.

But I sort of look at it like these older basses have been on a journey through time. And the hardware that's on them has been with them (if all original) since they left the Spector workshop (Brooklyn, Neptune, Saugerties) and therefore you should keep that hardware so that the body and the hardware continue to age together.

Every ding, every scratch, the pitting and patina of time... these are all things that are specific to each bass on it's journey. Stuart builds these basses to last a lifetime or greater. And 100 years from now who knows how many Spectors from the 1970's to now will still be out there making music. There are classical instruments that are several hundred years old played today. So it's totally possible.

And therefore to me, the hardware and parts of the bass in time are part of the bass no different from the very wood it is made from. And all of it... all of the parts that make a hand-made Spector should travel through time together.

Right on!!!...Its not all the time, but sometimes I have to agree with Patrick :bassist::bassist::bassist:
 
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