• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

SPECTOR® Club - Part 49

Status
Not open for further replies.
My Defy Tolerance t-shirt came today! Thanks Donny!

I also treated myself to a Spector T and hat finally.

Yes. That's as far as the gear budget goes these days. From SAS to SRACAS (Spector and Related Artists' Clothing Acquirement Syndrome... ooh look how clever Steve is!).
 
Admittedly I haven't been keeping up on TB as much as I should, so sorry if this has been mentioned already but has anyone seen the beautiful purple-y/red-ish SSD SD-5 on Bass Central's new arrivals page?

Wicked looking bass, just $2500 more than I have on me right now...
 
Tostitos said:
Admittedly I haven't been keeping up on TB as much as I should, so sorry if this has been mentioned already but has anyone seen the beautiful purple-y/red-ish SSD SD-5 on Bass Central's new arrivals page?

Wicked looking bass, just $2500 more than I have on me right now...

It does look awesome and I'm definitely geeking out over it!

Does that price seems high?.... Or you can get Jaymi's SSD 4 for $1,000 less!!!!
 
Wonder why this one has not sold yet?...I never get tired of looking at this Bass :D

NS2_BAHAMABLUE_BEM_MATTE_GLDHW_779_Front.jpg
 
Nothing like getting the final master back of an album and hearing your bass completely disappear. Ugh. Can't even tell what I played much less that it was a Spector.

And this was from a "high end" European mastering house that's done a lot of big records in the prog metal genre. Meanwhile it's THIS ****ING LOUD compared to other records.

So I guess it's going to be a little longer before my band's record comes out because there's no way I'm letting it go out this way - if it does they're going to need a new bassist LOL.

Anyone else have problems with getting their bass sound represented well on an album? I'm not looking for it to be out front like Geddy or something - fairly audible would be nice.
 
Nothing like getting the final master back of an album and hearing your bass completely disappear. Ugh. Can't even tell what I played much less that it was a Spector.

And this was from a "high end" European mastering house that's done a lot of big records in the prog metal genre. Meanwhile it's THIS ****ING LOUD compared to other records.

So I guess it's going to be a little longer before my band's record comes out because there's no way I'm letting it go out this way - if it does they're going to need a new bassist LOL.

Anyone else have problems with getting their bass sound represented well on an album? I'm not looking for it to be out front like Geddy or something - fairly audible would be nice.

Yup i hear ya brotha. Hang in there. I had to fight a little to get my bass where it is on our album. How many people have a say in the mix? For us it was me and our singer/guitarist (well and the producer). I had a very detailed discussion with our producer about what we wanted the album to sound like and it worked out well and the mastering actually was close to what we wanted.
 
Yup i hear ya brotha. Hang in there. I had to fight a little to get my bass where it is on our album. How many people have a say in the mix? For us it was me and our singer/guitarist (well and the producer). I had a very detailed discussion with our producer about what we wanted the album to sound like and it worked out well and the mastering actually was close to what we wanted.

The problem is the mix was done by a band member even though I wanted to send it to a pro mixing house and pay to have it done. We'd basically hear clips here and there of where things were - there was no "live" mix session. This whole thing was self-produced and recorded. The mix was done on headphones a lot I suspect, and took over a year for 9 songs and about 52 minutes of material.

We had finally arrived at a mix that was serviceable for the bass if not ideal. Now it seems most of that progress was either undone by the master or the mix changed before the master. The thing that pisses me off is it's like someone went out of their way to EQ out the "grind" of the bass. The bass just sounds rubbery with no substance to the fundamental notes. Meanwhile you could be deaf and still hear every nuance of the kicks.

It just sucks because hearing it like this saps any enthusiasm I had for supporting the record. And the worst part is apparently the master was already paid for before the rest of us heard it. So yeah, a little dysfunctional.

I think I'm destined to just be a solo artist or a band leader because I've just about had it with this kind of stuff LOL. I have yet to ever have a record where my bass is audible and clearly defined in the mix. And it's not my tone.
 
bunkaroo said:
Nothing like getting the final master back of an album and hearing your bass completely disappear. Ugh. Can't even tell what I played much less that it was a Spector.

And this was from a "high end" European mastering house that's done a lot of big records in the prog metal genre. Meanwhile it's THIS ****ING LOUD compared to other records.

So I guess it's going to be a little longer before my band's record comes out because there's no way I'm letting it go out this way - if it does they're going to need a new bassist LOL.

Anyone else have problems with getting their bass sound represented well on an album? I'm not looking for it to be out front like Geddy or something - fairly audible would be nice.

When my band used other studios to mix, track, etc, I was never happy with the bass tone. Even if i had discussions of how i wanted it to sound. One of the main reasons I started learning that side myself. Now I'm in control MUAHAHAHAHA! :)
 
Nothing like getting the final master back of an album and hearing your bass completely disappear. Ugh. Can't even tell what I played much less that it was a Spector.

And this was from a "high end" European mastering house that's done a lot of big records in the prog metal genre. Meanwhile it's THIS ****ING LOUD compared to other records.

So I guess it's going to be a little longer before my band's record comes out because there's no way I'm letting it go out this way - if it does they're going to need a new bassist LOL.

Anyone else have problems with getting their bass sound represented well on an album? I'm not looking for it to be out front like Geddy or something - fairly audible would be nice.

Back in the day when I was in original bands I felt the same way. It seems like they make sure they can hear the guitars but the bass suppose to be lost in the mix. Funny thing the guitarists always loved the mixes, ...:crying::crying::crying:
 
The problem is the mix was done by a band member even though I wanted to send it to a pro mixing house and pay to have it done. We'd basically hear clips here and there of where things were - there was no "live" mix session. This whole thing was self-produced and recorded. The mix was done on headphones a lot I suspect, and took over a year for 9 songs and about 52 minutes of material.

We had finally arrived at a mix that was serviceable for the bass if not ideal. Now it seems most of that progress was either undone by the master or the mix changed before the master. The thing that pisses me off is it's like someone went out of their way to EQ out the "grind" of the bass. The bass just sounds rubbery with no substance to the fundamental notes. Meanwhile you could be deaf and still hear every nuance of the kicks.

It just sucks because hearing it like this saps any enthusiasm I had for supporting the record. And the worst part is apparently the master was already paid for before the rest of us heard it. So yeah, a little dysfunctional.

I think I'm destined to just be a solo artist or a band leader because I've just about had it with this kind of stuff LOL. I have yet to ever have a record where my bass is audible and clearly defined in the mix. And it's not my tone.

Been there. :(
 
Status
Not open for further replies.