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SPECTOR® Club - Part 49

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Nothing like getting the final master back of an album and hearing your bass completely disappear. Ugh. Can't even tell what I played much less that it was a Spector.

And this was from a "high end" European mastering house that's done a lot of big records in the prog metal genre. Meanwhile it's THIS ****ING LOUD compared to other records.

So I guess it's going to be a little longer before my band's record comes out because there's no way I'm letting it go out this way - if it does they're going to need a new bassist LOL.

Anyone else have problems with getting their bass sound represented well on an album? I'm not looking for it to be out front like Geddy or something - fairly audible would be nice.

Bunk that plain ass sucks.....

Nothing worse than putting your blood, sweat & tears into a project and having your tone destroyed at the finish line. Lets raise the bar on expectations of bass in the mix. "Fairly audible" is still not good enough. But like most here have said, been there, done that.......Good luck with getting it done again at a different place, you deserve a better product at the end compared to what you got.
 
A great picture from last weekends gig! Is it odd that I fall more in love with this bass every time I play it? I pretty much have her right next to my bed so she is the first thing I look at in the morning! Yummy :D
 

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No joke, they are amazing instruments. Really don't see myself playing another bass for a very long time. Maybe upgrade to a US model when I get the coin. The Euro is definitely better than any other bass I've played in that particular price range.

some people just dont know what theyre missing. its ok. their loss is a spector lovers gain ;)
 
Bunk that plain ass sucks.....

Nothing worse than putting your blood, sweat & tears into a project and having your tone destroyed at the finish line. Lets raise the bar on expectations of bass in the mix. "Fairly audible" is still not good enough. But like most here have said, been there, done that.......Good luck with getting it done again at a different place, you deserve a better product at the end compared to what you got.

Trust me I'd love to raise the bar. Problem is a couple of the other band members hear no problem with it. It's insulting really. When I listen to the mixes I always have comments about how to make ALL the instruments sound good. Apparently I'm the only one listening for the bass.

The sad thing is this will probably be the end of my involvement with the project. I know they are not likely to back up enough in the process to get the bottom end sounding better, and there's simply no way I'm going to put any more time or money into supporting an album I am not audible on. Rather than make them replace the bass tracks, I'd probably just let them buy my performance rights and leave it at that. What a headache.
 
bunkaroo said:
Trust me I'd love to raise the bar. Problem is a couple of the other band members hear no problem with it. It's insulting really. When I listen to the mixes I always have comments about how to make ALL the instruments sound good. Apparently I'm the only one listening for the bass.

The sad thing is this will probably be the end of my involvement with the project. I know they are not likely to back up enough in the process to get the bottom end sounding better, and there's simply no way I'm going to put any more time or money into supporting an album I am not audible on. Rather than make them replace the bass tracks, I'd probably just let them buy my performance rights and leave it at that. What a headache.

Andrew....I need to talk to you about performance rights......my former band is using my recordings.......pm coming your way
 
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