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SPECTOR® Club - Part 70

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Honey, I'm home!!
 
Hello fellow Spector owners, way back in part 62 of the 'club', I posted a pic of my Legend Classic 4 and have used it faithfully until last month when I sold it and bought a Rebop 4 DLX which I am amazed with.

I am a lefty and found it used locally as most lefties usually do. I like it alot and it seems heads and tails above the Legend in terms of build quality and overall feel for me. I have no issues with the neck dive like others have, and it sounds good with the tone pump.

I have decided to swap out the preamp to the EMG BQC system to gain more tonal options with a blend and mid control. For now, I want to keep the original pickups in the bass and maybe upgrade at a later time.

From what I understand, its an easy mod and I will have a local shop do the work for me. I am thinking that I will have many more tones from it when I switch to either nickel wounds or flats. Right now I have it strung with DR Fat Beams I had before picking her up, but think a higher tension nickel wound string may serve me better with the preamp upgrade.

Pics to come, I waxed and cleaned her up earlier and keep noodling around trying to tame the tone pump at living room levels.
 
Continuing a subject from Part 69...

Several TB threads regarding this subject, but it boils down to simple physics. To get the same volume & projection as a good Martin D-28 guitar, an acoustic bass would have to be as large or larger than an upright bass.
The same thing applies to bass amplification - we bassists need 10x the power and 6x the speaker cone area to match the volume levels of an electric guitar.
This especially frustrates me... While I can easily fit my 400-watt SWR Headlite amp in my gig bag accessory pocket, I'll forever be burdened with having to haul a hefty sized speaker.


Yes I read the bass acoustic thread a few months back...and pretty much after reading all responses, I decided to not pursue an acoustic bass...for now. :hmm: You're right about the physics...maybe there's an Upright Bass in my future. :bassist:

Might just as well do the gig with your Spector and a small amp. I have a guy with an acoustic group that calls me regularly to play lounge gigs and I just bring a Spector and a small amp (usually with a 2x10 cab, although I'm thinking of going with a single neo 15) and it all works out quite well.

Same with me...I have my Ampeg B-15T, BA-112 and Acoustic B-20 for Small to Big gigs:bassist:

Agreed on all fronts; the acoustic bass guitar is truly a poorly conceived idea, designed to fix a problem that never really existed.

They play like a boat oar in comparison to any electric bass and project terribly, regardless of their cost and build quality.

The artist I play for is a Martin ambassador so unfortunately I have to play one of their ABG's for all of our acoustic gigs, despite the fact that my modified Legend fretless through my little Aguilar rig cops a much better upright vibe and is exponentially easier to play :spit:
 
Agreed on all fronts; the acoustic bass guitar is truly a poorly conceived idea, designed to fix a problem that never really existed.

They play like a boat oar in comparison to any electric bass and project terribly, regardless of their cost and build quality.

The artist I play for is a Martin ambassador so unfortunately I have to play one of their ABG's for all of our acoustic gigs, despite the fact that my modified Legend fretless through my little Aguilar rig cops a much better upright vibe and is exponentially easier to play :spit:


Yes, I get that totally. That's why I picked up recently an oil finished Euro NSCR (an I don't want "ping" with this bass, so I'm good). The NSCR is off with my luthier getting a bath and lube job. That bass, with the NV115 (on the bottom of my stack) should do the trick nicely. Oh yeah, I guess I'm in too:

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