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SGD Lutherie said:It would seem that Spector uses at least three different preamps. You have this one, then there is the US HAZ Labs preamp, and then this one from G&B in Korea:
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So you have at least three different circuit designs. There's nothing wrong with op amps, and when used properly they are better than JFETs as far as lack of distortion.
I think the thing to realize is if you are a manufacture of instruments, if you don't make your own electronics, you have to buy it from someone else. Then you are left to what the manufacturer of the electronics lists as their specs.
A lot of passive tone stacks are not flat when set on flat. The Fender style circuits only boost the bass and treble, and only cuts the mids. But they are highly interactive controls. Because of some insertion loss, you often have to boost the highs and lows slightly for flat.
I wouldn't worry about flat settings. Just dial in something that sounds good.
You should have a trim pot on the tone pump that controls the output (unless you have an early tonepump) . They come almost maxed out from the factory usually. There's a sweet spot around 3-4. That will bring the output down to normal levels. Any scratchy noise is not normal and is probably a dirty pot or possible bad solder joont, usually on the jack.
Operational amplifiers, when they're overloaded- which is on beginning of nearly every tone, are saturated. When they're saturated, there is a short recovery time(about several milliseconds) and whole circuit doesn't work in this short time. The result is, that we lose signal- beginning of the tone, its attack. Valve(and this preamp) doesn't behave like this and when it's overloaded, it softly distorts second harmonical, which is octave, which doesn't matter to the sound. And the first signal after peak is immediately played.
Op-amplifiers based preamps often solve this problem using two 9V batteries. But the problem is not solved, it is just delayed and this peak could be problematic in signal chain in amplifiers, mixing consoles etc.
The result of JFETs using is, that instrument articulates (because there's no loss on the beginning of the tone). Instrument is cutting through very good in the mix in low volumes, too, and tone is clear in every EQ setting, in studio or live situations.