rockstarbassist
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years ago I did a restoration on a 69 lambo espada... That distributor gave me headaches. I actually set the dwell on a lathe, then installed it in the engine... Later I went back and machined a jag XJS V12 distributor to work in the espada engineLOL @ Porsches and Vettes..........
but i do need that Lambo..............
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I play other basses as well -- more expensive ones such as MusicMan and Lakland USA. They are awesome. But, there's nothing like bringing a Sunburst/Rosewood American Standard Jazz or P Bass on stage and seeing it shine under the stage lights (sometimes thinking youre John Paul Jones or Noel Redding oh wait). If you don't like them, buy something else. There's plenty out there. But, they remain the American Standard for a reason.
This ^


It comes down to what you are happy paying and getting for what you paid. If you like 4-figure basses and you like the sound, more power to you. If you prefer to go low-rent and convert Deans and SX's into your diamond, that works, too.
I wouldn't pay 4-figures for an assembly-line bass with cnc-milled bodies and necks. Mass production negates inherent value to me. I would consider paying that much for a hand-made custom to my specs.
But, there's nothing like bringing a Sunburst/Rosewood American Standard Jazz or P Bass on stage and seeing it shine under the stage lights (sometimes thinking youre John Paul Jones or Noel Redding oh wait). If you don't like them, buy something else. There's plenty out there. But, they remain the American Standard for a reason.
years ago I did a restoration on a 69 lambo espada... That distributor gave me headaches. I actually set the dwell on a lathe, then installed it in the engine... Later I went back and machined a jag XJS V12 distributor to work in the espada engine
If you can afford a good, working Lambo (and not some garage mess) you shouldn't be worried about maintenance costs. :thu:
I"d be willing to give up kids for the Gallardo Balboni but my lady friend said no.................
it was not the expense of maintenance so much as the unreliability of the original unit. It was worse than a 60s triumph.
+1 - Why do folks have to start posts bashing something and then compare it to basses that are totally different in nature. I have played/owned many import basses and they played nice and will get you in the game for sure. The last two basses that I've purchased have been a Am Std P and a EB/MM Sterling and I can tell the difference in an american made instrument. If you don't want one/can't afford one, that's fine, there is no shame in that but you don't need to bash something just because it's not what you're looking for anyway or don't feel comfortable with the prices.

I don't even know how many gigs my Sterlings have, and they look phenomenal. I think my blue one has one scratch on it on the back that's less than a half inch in length... the orange one is flawless. The black bongo has a tiny smudge on the headstock I could probably buff out. The silver bongo only has two practices and one gig on it. Take care of something and it won't get "scratchy" or "worn" and "look like a cheap bass".I'm sure expensive bass guitars are nice but I would not like take them around at gigs as they get scratchy and worn and after a while will look like a cheap bass, anyway. Not to speak of worrying about this all the time.
It of course depends if this is purchased as a working man bass or something that is just kept in the bedroom.
If you look at the OPs history, he has a pretty good track record of making topics and posts that are inflammatory.
I've noticed that the two big brand names in the music industry (Gibson and Fender) have extremely expensive basses. For example I'll use the American Standard Precision Bass ( around $1,600 msrp) and the Thunderbird IV Bass ( around $1,800 msrp). Both of which can be found at pretty much any guitar center in america and I've played both of them. It seems to me that these companys are really out to make a few bucks off their pure reputation in the music community as being the "standard" for music equipment. Which is fine because I'm pretty sure they sell lots of instruments based on the fact of "Oh thats a gibson it MUST be good". Frankly though I really wasn't really impressed with either of these instruments. Maybe the strings were dull, i plugged into a "bad" amp, or it was raining in hawaii but I really just didn't see a need to dump almost two grand into either of those instruments. A Schecter Studio 4 is a great bass with a good feel and is very well constructed but runs for about $700. Now I realize that these instruments aren't "American Made" but then again whats so special about American constructed instruments? Indonesian and Korean instruments play pretty well IMO. They may not be hand crafted and made with the pure red, white, and blue guitar building god expert but they play above reproach in my opinion. LTDs are pretty nice too with the 414 models usually running around $700 as well. Same thing can be said about Traben, Ibanez, and Spectre. I love Steve Harris to death and I realize when he started out Fender was pretty much the only thing around with any kind of reputation but I would refuse to pay that much for a Fender. He rocks it out, it sounds good, and he owns things that have been discontinued since the 60s and 70s but I guess technology has just gotten better since then. I would rather have my cheapest Schecter, which has excellent feel, playability, and tone over a Gibson Thunderbird. I realize that everyone has their own opinions but if any of you own a "high end" gibson or fender I would love to hear about your long term experiences playing these instruments.