Are you drinking? What the **** are you talking about?
Talking to DURRLLL. Carry on with your fugue.
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Are you drinking? What the **** are you talking about?
It's a funny thing, this aversion to flatbacks. I think it has something to do with sitting neo-cello style with my legs wrapped around the bass.

Maybe you should have Arnold design a new ergo bass for you, based on the personal architecture of Juliet Binoche.![]()
This idea is enchanting. OTOH, I doubt that my wife would be as much of a "good man" about *that*.![]()
DURRL said:You guys are sweet
DURRL said:style with my legs wrapped around the bass. The vibrations against the inner legs and solar plexus are all part of the playing experience, and flatbacks vibrate differently, maybe radiating in a different pattern or something. I don't know, but it was distracting not to have the vibrations feel the same.


The only reason you need right there.It's a funny thing, this aversion to flatbacks. I think it has something to do with sitting neo-cello style with my legs wrapped around the bass. The vibrations against the inner legs and solar plexus are all part of the playing experience, and flatbacks vibrate differently, maybe radiating in a different pattern or something. I don't know, but it was distracting not to have the vibrations feel the same. All the other plys I've played have been roundbacks, and I haven't had that experience with them.
Sorry for the thread derail, Les. If you want, I can move this tangent somewhere else. Thanks for the good thoughts, guys.![]()
Moles, I'm glad you're happy. I sure love your mittels! On my bass, the tension was similar but the mittels speak better.
44.5"? Youdaman!!!
I'm surprised we haven't had the "practicing naked" talk around here yet.
Huh? Wait a minute... you guys practice with your clothes on?![]()

Huh? Wait a minute... you guys practice with your clothes on?![]()
Huh? Wait a minute... you guys practice with your clothes on?![]()
Maybe you should have Arnold design a new ergo bass for you, based on the personal architecture of Juliet Binoche.![]()



Yeah, it was a good trade all around. I liked the Spiros at first on my bass - and I still like that sound on smaller basses I hear strung up with them. The big scooped out string thing in the end just didn't sit with my big scooped out sounding bass I think.
44.5" is hilariously long, isn't it? It was slim pickin's around town when I acquired it. I'm hoping to get something a bit more manageable by the spring time, and I can keep this one for the rockabilly/country/(and maybe) big band gigs. It's not really worth selling anyway. .................................