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What are "Spiros"?
That part has been a bit of a learning process for me. The fact you can really man-handle Evah's and they keep rising to the occasion is intoxicating. I get pretty juiced when the music is happening and would transfer that energy into how hard I was playing. I found myself sore and tired after gigs (like the good kind of sore) and thought at first I was just getting used to different strings. Later I found that I was just laying into them way harder than any other string I'd tried. I've had to focus on easing up a little.
...I'm wondering now if the difference in brightness may contribute a certain amount to unconsciously applying more pressure than needed with the left hand with the Evah weichs...
If I didn't have the breakage issues with the Doms, they'd be my string of choice.
Well, the experiment is over. The Spiros are back on and they're staying. A small recap. On my current bass, I had Doms, Evah regulars, then Evah weichs. I injured my hand and switched to Spiro mitts, which I hadn't used for years. After getting used to not having the "punch" and low-end power of the Evahs, I rediscovered what so many others love about Spiros. The feel, the sustain, the growl, the whine, the pitch stability.
Feeling safe with my healed hand, I put the EPWs back on. Oh mama! The cannon returned. For a few days, I was like a kid in a candy store. Then I got overloaded on sugar.I found myself missing the sustain and brightness of the Spiros. I also found it tougher to get around with the left hand on the EPWs. That's a bit tough to describe. As for the right hand, there was always an essential "stiffness" to the EPWs that seems to give them that "boom" when you release the string. I started to worry about re-injuring my hand. I put the Spiros back on. They're more comfortable and, well, they sound great. So, sound-wise, it's a trade-off of earth-shaking fundamental (EPWs) for a bunch of other sonic characteristics that I gotta say I really like (Spiros). Then there's the protection-from-re-injury factor that, for me, is HUGE.
Anyway, that's my report having been able to compare EPWs directly to Spiros long- and short-term on the same bass.
Call me fickle but I'm with UncleToad-- Spiros.
Now, if they bring back those Lycons...![]()
I know this is not a Dom thread.
DRURB, have you ever tried vaseline or lip balm to lubricate grooves and string during installation?
I have never had a breakage again since I started doing that along with slow tune up.
It would be too bad to give up your string of choice without trying this system, but you might have already reached the point where you said "enough with this".
doc: I find it surprising that you are able to handle the Spiro Mittles given your hand injury.
I have never had any problem with my hands and play firmly (pizz) but I found the Spiro Mittels tiring to play. I went to the Spiro Weichs because I was worried they would be bad for my wrists.....despite my large wrists and big hands. Maybe I was overplaying them but I don't think so.
Luckily the Weichs sounded better on my Eberle ply ( I still use the Mittel E) but I would never go back to the Mittels because of the tension. Same with the Dominants.
Anyway...it's good your hand is recovering well.
I don't understand-- could you explain a bit more about the brightness/left-hand thing? Thanks.
Let me try to explain this a little better, now that my flu addled brain seems to be back to normal...
It's natural, when playing any stringed instrument, for one to modify what your
hands are doing based on what one is hearing come out of the instrument.
There are technique changes that one should make in response to certain audible cues, and there are changes that one my make based on instinct that are simply the wrong action to take.
I was likening the left-hand thing I was referring to, to digging in too hard with the right when you have trouble hearing yourself on the band stand. It's usually the wrong thing to do! Laying back, and pulling a "bigger" sound out of the bass, playing with better intonation, etc. is a better plan...right?
So back to the left hand thing - I've caught myself putting more force into the fingerboard with darker strings, or in situations where I'm unable to really hear what I'm doing. Not by much, mind you - I don't start squeezing the neck or anything - but enough that I've noticed it, and make an effort to stop.
It's almost like an attempt to get more 'clarity' out of the strings.
Obviously I can't say if it's common for others to do this, but I was just pondering the possibility.
Les,
Have you had a chance to take a few swipes at the spiro's with the bow?
If weichs are to high tension for the bass you could try Solos but they may not be as loud as the others. Tradeoff is they sound great pizz and under the bow.As a was tweaking with a bass trying to increase the volume of the G string (see a thread in "Set up and repair"), i noticed that this particular bass prefers lower tension strings. In my arsenal there are only Spiros (mittel and weich) and EP weich. Any ideas about what else could i try in order to maintain the volume of the Spiros or Evahs with less tension?
Mike