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Squier Affinity Precision vs Squier Affinity Jazz

My general opinion of the Affinity series is that they are built to the cheapest price point possible, but still a decent instrument. Which just means it's the most affordable way to get a Squier. Great choice if you (or your kid) are starting out and don't want to invest a ton of money, or don't have a ton of money, or just need a cheap axe to play at sketchy venues with sketchy people.
I briefly had an Affinity P that needed minor repair and setup work, it was literally a bargain at twice the price (which is what I sold it for).
Don't expect great fret work or top shelf electronics; but it will still be solid. That said, if you can afford and justify something nicer - even a better used Squier - do it. If you can't, IMHO the P has much better pickup but I prefer the look and feel of the J myself. If you're on a budget it's also worth considering entry level options from Yamaha and Ibanez.
 
Now, the fret work on the Affinity series is very hit and miss, so it almost always needs attention before anything else. But I think they're FINE instruments for their price. Great, in fact.

Right out the box, I feel like the Affinity P is a better instrument all around. BUT - I kind of do have a nasty habit of taking a cheap instrument and dropping nice things in them, and Jazz basses are some of the most modifiable things in the world.

With an Affinity J, which I personally don't mind at all right out of the box, or an Affinity P, I don't lose sleep over the original investment if my experiment didn't pan out. I have a John East J Retro pre in my 2017 Jazz V Affinity paired with Quarter Pounders on a bass which has become my GO TO over a much, much more expensive fiver. To my chagrin. Thing is an *animal* with a fresh pack of Elixirs. There's a LOT you can do to an Affinity to make it sound and play like it broke the bank, and it sure as hell won't break the bank!
 
There were no sharp edges the Affinity J of mine, and no crackling controls. I looked up the SN, and it was actually made in Dec 2020.

I think I took a little bit of the bow out of the neck, then raised one of the saddles little so it wouldn't sound like a sitar.

At first I thought the laurel fretboard looked dry, so I used Ballistol on a small part, and it didn't really change it none. I think that's just the nature of laurel vs rosewood.

The Affinity J is not as loud as a the Affinity P (1997), but I don't care.
 
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There were no sharp edges the Affinity J of mine, and no crackling controls. I looked up the SN, and it was actually made in Dec 2020.

I think I took a little bit of the bow out of the neck, then raised one of the saddles little so it wouldn't sound like a sitar.

At first I thought the laurel fretboard looked dry, so I used Ballistol on a small part, and it didn't really change it none. I think that's just the nature of laurel vs rosewood.

The Affinity J is not as loud as a the Affinity P (1997), but I don't care.
CV 60s p bass, laurel fretboard also looked grayish and dead, there might be a layer of varnish or other finish on it. I sanded mine lightly but thoroughly with extra fine (220 grit) sandpaper to remove this finish, then applied fretboard oil. Definitely darker and more luxurious looking (and feeling) now. I even find it warmed and softened up the tone some if that is possible.

Although none of this was necessary, just a personal obsession, Squiers are very nice instruments as is.
 

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