I always enjoy Dr. Cheese's posts. However, they usually make me want to buy something. Still, always good stuff.
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I like the Squier fretless with phenolic fingerboard ...plays like w d 40 with chicken grease and about same $
Already try lemon oil but no joy.....
Will share a solution to you guys tomorrow.
NoYou must have a good one. My VM fretless has dips _and_ protrusions at nearly every fret marker, which is going to require quite a bit of sanding before it's playable with anything other than mile high action. This new CV couldn't possibly be worse. Granted, if the VM had actually had been finished properly at the factory it likely would have cost significantly more than $299.
I'm a little eccentric in that as I was classically trained A 440, I am uncomfortable tuning flat ; prefer 5er and a D is a D; not a de tuned EI like the idea of detuners, but I lose my place with them very easily. Fives or simply tuning down a whole step are easier for me (I can still lose my place on a detuned also.)
There's one in a pawn shop near me for $138. Seriously considered buying it on the weekend but it had round wounds and some fairly light string marks grooved in it already....although the rest of the bass looked almost new.
If I knew I could fix it.....maybe a light coat of some filler and then super glue the neck??? Or just super glue?
Then I'd probably snatch it up.
Same here. Granted, when I took mine out of the box it was already far better looking than Fender's pictures led me to believe.I had good results on my '19 CV JV using boiled linseed oil.
Yes, my unfinished Ebony board already has marks on it from the rounds. But I have absolutely no worries on whether or not they would eat through the board. They won't.I don't think roundwounds eat even a rosewood fretboard that much in practice. String marks yes, they'll be there from the very beginning, but you've got to play pretty hard for quite a long time before there are grooves in the wood deep enough to interfere with your playing. I say snatch it if you like it otherwise.
P.S.: BTW, you're lucky to have that kind of price there. Where I live, it would cost used at least 2.5 times that even from a private seller.
The Tony Franklin Precision has no fretlines, but it is $1,699 street.
I have a Mustang guitar with the same kind of finish & the same thing happens when you take a picture--for some reason the burst looks so much better in person than in a picture:Is clownburst good or bad. I've never heard the term until now. A quick search brought me to a plethora of Les Paul forums. I guess it's more common there.
I know this is kind of an old post, but I thought this review could serve others who are wanting info about others experience with this is bass (here's my two cents): I just bought this bass a couple of weeks ago after much digging around for reviews, some videos, checking out the specs, and my experience with previously owning a fretted Classic Vibe J-bass years ago (I let it go because at the time I even-traded it with a friend for an American-made Ernie Ball SUB 5-string). To me the bass looked beautiful right out of the box. All the hardware looked and felt good, and functioned perfectly (tuners felt nice and smooth - bass stays in tune nicely, too). The stock J-pickups sounded nice and balanced - not too boomy, not too glassy; had just the right amount of all the frequencies you would expect from passive J-pickups, and their output was pretty decent, too (can't stand pickups where you have crank the hell out of your amp for your bass to have any tone). It reproduces that Jaco-fretless tone nicely as well as your standard two-pickup full-on J-bass tone. The neck pickup soloed can definitely reproduce that P-bass sounding bark, too. The only area where this bass falls short is the setup from the factory, but it's really not too surprising for a bass in this price range. One should expect a not-so-perfect setup and have to bring it to an expert who knows how to set up a bass (extra cost added to the overall price of the instrument). Luckily, all the issues my Classic Vibe fretless had were very correctable. For some reason a shim made out of sandpaper was put in the neck joint (neck wasn't sitting right in the joint causing the strings to not to sit correctly over the pickup pole pieces). The fingerboard badly needed leveling due to small humps and very uneven fret line markers (some of the edges for those fret markers were sticking out, too, like bad frets). Good thing is after bringing it to a trusted tech, he removed the shim (neck was perfectly in it's neck pocket and strings lined perfectly over the pickups), leveled the fingerboard to make nice and even, rounded off the edges of the fingerboard so they weren't sharp after the leveling, set it all up (intonation and neck relief)...$120 later the bass was immaculate!! The only other mod I did was to swap out the bridge for a heavier one. Other than, the bass is stock and now it looks, sounds very good, decent sustain, and plays great. Take-away here is "if you buy a Squier, add $100 to $150 to price for a setup".
I like Squiers but it looks too "clownburst vibe" to me!![]()
I don't see the problem but we are entitled to our tastes.
I have a Squier J Bass with Indian Laurel. When you oil the fingerboard (I used the Fender Fingerboard Remedy on this one, but I've used linseed oil on fingerboards in the past), the wood really drinks it up and it darkens to the point of really resembling rosewood. I don't have a thing against Indian Laurel, and I like it better than Pau Ferro. Given the trouble I've had with the Fender Player Series Fretless, I'm seriously considering one of these Squier fretlesses. I've heard that some people have had trouble with the necks, so I'm waiting to pull the trigger on it.
Thanks for the info, Doc.Once I bought mine the neck went AWOL. My $99 Glarry has a better neck.
I'd put flatwounds on it before the roundwounds chew grooves in the fingerboard.I just picked up one of these from a local shop. My 13 year old started playing bass a few months ago (also plays trombone and mandolin) and the other night he told me he had been researching Jazz basses online. I took him out yesterday and we made the rounds to multiple shops, playing various MIM and Japanese Fenders, Squiers, and a Music Man Sterling StingRay, which was the hands down winner of the day until we saw this (Squier Classic Vibe 60s Jazz). My son was actually happier that it was fretless, and it sings and barks like a Jazz Bass should.
Honestly, I was amazed by the quality and sound. It has a set of D'Addario XL rounds and a great setup, so from the first note it felt and sounded great. I didn't ask them whether it was new or used (not marked as either), but the only thing missing was the pickup stickers, so I figure maybe it was a quick return, because it looks brand new. The neck did look unappealing to me (too light and stripey), but a good rub with oil darkened it right up when we got home. We'll just oil it now and then until it stays that way.
I've owned and played a lot of basses over 40 years, but never felt drawn toward a fretless (that wasn't a doghouse). If your budget can handle the higher priced Fenders or clones, then obviously you might prefer one. But I wouldn't hesitate to use this bass (if my son lets me!) for any performance or session where I thought a fretless might do the trick.
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